REVIEW: Lost Girls

Rated: R
Run Time: 95 minutes
Director: Liz Garbus

The first image you see in the newest Netflix original movie, Lost Girls, pretty much sets the mood right off the bat: text with a black backdrop saying “An Unsolved American Murder Mystery”… Welp, this should be a great time. For comparison, Zodiac (2007) is one of the greatest crime thrillers of all time, and it ends in perhaps a suggestive yet ambiguous fashion. But even then, that film knew not to plaster the lack of resolution from the very top. It had plenty of stunning cast members, superb storytelling and dialogue, and relentless tension. The story itself constituted a globally renowned case that struck fear and uncertainty to everyone in California. At the very least it had more than enough entertaining authenticity of a bygone decade. Between all of this, it never had me looking at the clock or anxious that I wouldn’t get all the answers. Lost Girls just didn’t have any of these elements in enough abundance to make it stand out amongst the sea of Netflix Original-forgettables. That isn’t to say it’s bad! Trust me, there are enough full-blown Netflix bombs to have their own category.

This movie did feature decent performances from Amy Ryan (The Office) and Thomasin McKenzie (Leave No Trace, Jojo Rabbit). The skillful cinematography was as dark and harrowing as the story itself, and there was some meaningful dialogue on social classes, police corruption (or just incompetence), and America’s ambivalence toward a victim that isn’t stain-free—that alone makes me think it deserves the semi-decent reviews it’s gotten so far. But at the same time, the movie struggles with poor acting from many of the smaller roles. It’s a story that just doesn’t have quite enough meat to be the engaging crime thriller we need it to be—or at least enough to prevent us from counting the seconds till we can have this checked off and then watch something newly added to Netflix, like Jerry Maguire or Pan’s Labyrinth (WOULD RECOMMEND). During a week as bleak and uncertain as this, who needs a movie this bleak and uncertain?

Recommendation: SKIP IT

About the Author
Resident of Utah County, Ex Movie-Pass owner, and married with a baby! Good movies have been my go-to pastime for as long as I can remember; from my dad introducing me to gems such as Tommy Boy and Dumb and Dumber, to discovering the work of people like Paul Thomas Anderson, The Coen Brothers, Francis Ford Coppola, and Steven Spielberg. These filmmakers taught me that cinema truly is an art form. Movies are my way of better understanding complex emotions and unfamiliar walks of life. Movies are a consistent and reliable way of connecting ourselves to the human race, and it’s often done marvelously. I love it!

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Scroll to top