Alright everyone, if you need a good chuckle and have an hour-and-a-half to take your mind off of your current stresses, then Coffee & Kareem will satisfy those needs. I found myself laughing at a line of Ed Helms’ character within the first five minutes, so that had me excited for the comedy to unfold. I was definitely drawn to the movie for Ed Helms. I am a huge fan of The Office and love his character, Andy Bernard. I was also interested to see how they would comment on police brutality and race—which I’d say the film did an okay job of addressing.
Coffee & Kareem was directed by Michael Dowse, who has directed a couple of other comedies, such as Stuber and Take Me Home Tonight. Coffee & Kareem takes place around a cop named Officer Coffee (Ed Helms) and a young tween named Kareem (Terrence Little Gardenhigh). Coffee is a goofball character: he definitely gave off an “If Andy Bernard was a cop instead of working at Dunder Mifflin” vibe. His silly almost-innocent persona was my favorite part of the movie. The movie was littered with crass and over-the-top humor, but the parts that had me laughing the most were the super silly and cheesy jokes.
The film also had some physical comedic moments that definitely had me laughing. Helms and Gardenhigh had great chemistry and played the buddy-cop trope together in an entertaining way. While the movie had me laughing, it also had me shaking my head at some of the commentary and absolutely ridiculous events. But hey, I was not expecting every event in this comedy to drive the story forwards with finesse and care, so it is almost what I expected with a modern comedy.
Overall, Coffee & Kareem made me laughing throughout its entirety, which is what I look for in a comedy. It also had a fun supporting cast; Taraji P Henson as Kareem’s mother, and Betty Gilpin (from Netflix’s Glow) as a detective, were especially enjoyable to watch. Taraji P. Henson is a versatile actress and really delivers in comedies, like this one and What Men Want. A fun little detail I enjoyed as well was David Alan Grier playing Captain Hill; you might recall him as the cop Bentley in Jumanji! Again, if you’re looking for a little distraction and don’t mind some ludicrous events for the sake of a good chuckle, give this movie a watch!
Coffee & Kareem is available streaming on Netflix.
Recommendation: STREAM IT
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By André Hutchens — 2 years ago
*Editor’s note: Today’s review will be the first of its kind on Backseat Directors. Since our writers’ opinions of TENET varied quite a bit we decided to give each of them an opportunity to share their experience and thoughts of the movie. Each writer was given one paragraph to share their quick thoughts. For a more in-depth (spoiler-filled) discussion of TENET, go listen to Ep. 113 of the Backseat Directors Podcast.
Parker Johnson: One thing that made the movie so enjoyable for me was seeing Kenneth Branaugh as a villain. Most of the time I’m used to either seeing him as the protagonist, a mentor figure, or Gilderory Lockheart. I was impressed by the range of emotions his character went through, and how his character genuinely believed he was in the right–even in the act of doing awful things. There’s one scene in the movie where he flies into a rage that made me more tense in a movie then I’ve been for years. Bravo sir, bravo.
Recommendation: Go See It!
Rachel Wagner: There will be some people who try and paint those of us who did not enjoy Tenet as simpletons unwilling to embrace risky filmmaking. I would ask those people to consider what their own basic demands for a film are? For me, it’s engaging characters, interesting story, and coherent dialogue. Tenet failed at all 3 of these requirements. The characters for the most part were flat with little backstory or depth to their roles. The story was difficult to follow and overwhelmed by a loud blaring score and very choppy editing, and the dialogue was frequently unintelligible. If I literally can’t understand what the characters are saying because of the bizarre sound mix choices it doesn’t matter how great the visuals and action are. In fact, it only makes me more frustrated that such craft and spectacle is wasted in a self-indulgent slog. I have always been a fan of director Christopher Nolan, even in his more divisive films like Interstellar (2014) or The Dark Knight Rises (2012), but he deliberately made choices in Tenet to ostracize his audience from the picture and make it an overall unpleasant experience. Especially having such a yearning for a big blockbuster on the IMAX I wanted to love what he offered in Tenet, but I did not.
Recommendation: NO GO
The Formal Review: Nolan uses numerous scientific theories and the ROTAS palindromic square in a very ambitious and ingenious way. He is able take those ideas and stage them via action sequences that run backward and forward through time simultaneously. Cinematographer Hoyte van Hoytema gives some amazing scenes that make a James Bond film look low key. Ludwig Göransson’s score is very Hans Zimmer like, and it is a thunderstorm. The film has Nolan trying to outdo the espionage film genre by making his own filled with speedboats, glamorous locations, and a lot of crisp suits. Each actor does a good job at playing their roles with Washington and Branaugh being the standouts. The former is able to be like his father while also establishing himself as a lead man. The latter is no surprise as he is a Shakespearean actor and he can do almost any role. The film does have some issues with dialogue being muffled and it feels too short for the complexities it tackles. This can make the film feel confusing, and maybe subtitles would have been beneficial. The character development and Nolan’s treatment of his female characters could be better. For better or worse, this movie has Nolan trying to outdo himself, and each viewer will decide if he is successful. In short, it is in the top tier of Nolan films; go see it! The best experience would be in a theatre with the best audio possible like Dolby Cinema. Any other thoughts would involve spoilers and a full analysis will be coming later.
Recommendation: Go See It!
Rachel Ogden: With Hollywood plagued by a one-time-watch epidemic, director Christopher Nolan has created something you can’t possibly grasp without multiple viewings. Every choice is a gesture of faith in the audience; faith that we will do our best to keep up and that we’ll come back for more. The dialogue moves as fast as John David Washington runs, and the content is cerebrally ambitious without losing the thrill of the ride. Rather than be intimidated, I think you should be excited; just don’t get hung up on what you don’t understand and enjoy what you do. Though I’m only on my first viewing, I wouldn’t be surprised if TENET became my favorite Nolan movie.
Recommendation: Go See It!
André Hutchens: As it goes with every Christopher Nolan film (it seems), TENET was one of the most, if not THE most highly anticipated film of 2020. Coronavirus pandemic be damned, there was no stopping this film from debuting in actual movie theaters, and allowing audiences worldwide the opportunity to experience the latest Nolan film the way every Nolan film should be experienced. Perhaps his most complex and intellectually challenging movie yet, Nolan has crafted a unique and bold movie that will be discussed in social circles for months (and maybe years) to come. TENET presents time-travel like no other movie before it, which will require the intent concentration and focus of its audience. John David Washington is a star in the making, and Robert Pattinson’s role only helps to build my excitement for his next project as Bruce Wayne in The Batman (2021). Other than a few scenes that really struggled to properly sound mix the audio and I was unable to understand the dialogue, this movie is a must see in theaters. See TENET in IMAX if you can; this movie deserves that kind of spectacle.
Recommendation: Go See It!Post Views: 1,034
By CJ Marshall — 2 years ago
Greyhound marks Tom Hanks’ fourth artistic foray into the Second World War, with the three previous projects being Saving Private Ryan (1998), Band of Brothers (2001), and The Pacific (2010). The previous projects are larger in scope and widely considered to be among the best film representations of WWII. Greyhound doesn’t meet those heights, but it doesn’t aim to—nor does it need to. Its mission is on a smaller, but no less important scale.
The movie was originally slated for theatrical release in early July, but COVID’s hostile takeover of life as we know it, sent Greyhound hurtling toward the streaming shores of Apple TV+. It wasn’t too much of a surprise considering other studios are sending theatrical projects straight to the TV screen. Greyhound feels different from some of these other “early release” projects. One viewing will show that this film was made with the biggest screens in mind, and when you’re done, you’ll lament the fact that you couldn’t watch it there. It has a higher production value than most of the stuff they’ve been dumping in our laps lately. This movie would have killed at the box office.
Greyhound is short and to the point. It spends just enough time to introduce Hanks as Commander Ernest Krause before setting off on its mission. The rest of your characterization comes as the drama unfolds, for it’s often said that times of adversity reveal true colors. In typical U.S. war film fashion, the colors of this flag don’t run… And they don’t make movies about the cowards, do they? Greyhound is set apart from many of these other films due to its brevity and its singular focus on the task at hand: five Destroyers escorting thirty-seven ships and thousands of sailors across the Atlantic for five days—with no air support to fend off the German U-Boats lapping at their heels.
Hanks serves double-duty as the main actor as well as the screenwriter, and while his script lacks flourish, it’s old-school Hollywood in all the good ways. Director Aaron Schneider paces Greyhound well, and together they ratchet the tension to unbearable levels. Think of the best submarine movies in recent memory and the feelings they evoke as you watch. Now place yourself on the other side of that torpedo. It makes for compelling cinema.
Greyhound is worth ninety minutes of your time. I might be reading too deep into the movie, but I find the short running time and overly technical jargon a good fit for what this film represents. It’s a WWII action movie at surface level and below the explosions and choppy waters lie a representation of sacrifice. This was a mission conducted over five days. This was a mission that was conducted more than once. There were similar missions conducted all around the world. These missions were conducted during a war that lasted six years. I think above all else, Greyhound shows that the small missions are just as important as the major offensives. The offensives don’t happen without the bravery exhibited in these smaller skirmishes. All of these small moments combine to make way for victory.
Releasing more high-end productions like this might make this quarantine more bearable. I’m not advocating streaming over theaters just yet, but Greyhound makes a serious argument for it. It’s that good.
Recommendation: STREAM ITPost Views: 788
By Rachel Wagner — 2 years ago
Director, Tomm Moore Reminds Us to Listen to Children. #TIFF20
Anyone who follows my career as a film critic knows how much I adore the work of Irish animator, Tomm Moore. He is the man behind the Oscar nominated films Secret of the Kells (2009) and Song of the Sea (2014). Both are wonderful works of art, but Song of the Sea is a special favorite of mine as it helped me through a tough time in my life, and one that I saw soon after my cousin passed away in 2015. I actually got to interview Moore last year over on my youtube channel and so needless to say I was pretty pumped for his new film Wolfwalkers.
All that said, expectations can be a dual-edged sword and we can be setting ourselves up for disappointment. Fortunately, with Wolfwalkers that was not the case; Moore has created another stunning animated film full of heart, and quite possibly his most endearing and easy to relate with characters yet.
Wolfwalkers tells the story of Robyn (Honor Kneafsey), a young girl whose widowed father has a mission to get rid of all the wolves in the forest. One day she meets a boisterous girl named Mebh (Eva Whittaker) who is looking for her mother. Robyn learns that Mebh’s Mother is an enchanted creature called a wolfwalker who is both human and wolf. This starts our girls on a series of adventures as they must convince the townspeople to protect the forest and save the wolfwalkers.
If that sounds a little familiar there are definitely shades of Princess Mononoke (1997) within Wolfwalkers, but the characters of Robyn and Mebh are so different and the animation has such a different texture that it works. Plus, it’s a story we need to hear over and over again because we don’t seem to be listening very well! Where I felt especially gravitated to is Robyn and her attempts (mostly failed) to try and explain what is happening to her father. She pleads so hard for him to listen, but he rarely does. How often is that the case with each of us and the young children in our lives?
As I said, the animation is absolutely stunning in Wolfwalkers. I loved the hand drawn look to everything and the incredible attention to detail in the backgrounds and character designs. Just as in Song of the Sea captures the swirling nature of the sea in nearly every frame, so Wolfwalkers has a feeling of wind, torment, and fire in every inch of every frame. No part of the screen is left vacant or bare, and yet it’s not overwhelming visually, because the story and characters are so engaging. It just adds to the feeling that you are witnessing a special film, crafted with care (and let’s be real, a lot of animation is mass produced for laughs these days with the artistry forgotten).
But if you are concerned Wolfwalkers may be too intense for kids, don’t be. It has a positive energy, particularly with Mebh, kids will love, and the intense sections aren’t any worse than films like Beauty and the Beast, Pocahontas or Secret of the Kells. I’d say Song of the Sea is probably more morose and sad than Wolfwalkers, so if your children have seen that (and they should) they will be fine with this.
Moore has brought back the music team from his previous films with a beautiful score from Bruno Coulais and the band Kila. It helps draw you into the story, and combined with the animation, makes for an electrifying experience.
As a lover of animation, Wolfwalkers easily took the top spot for my favorite movie of 2020. It’s a glorious film the entire family will love. Currently it can be rented as part of the Toronto International Film Festival (#TIFF) for a rental fee. If you miss it there it will be coming to Apple TV+ this fall and to some theaters. Keep an eye out for it; Wolfwalkers is a wonderful animated film.
Recommendation: STREAM ITPost Views: 4,749