If you look up any list of “The Top 10 Modern-Day Thrillers”, you’ll likely run into one of David Fincher’s films. Being that he only has 10 entries to his directorial filmography, I’d say that makes him noteworthy, and one of the most bankable directors in Hollywood today. That being said, some of his work has been underrated, so if this entry convinces you to visit or revisit any of his films, the Fincher fan in me will have done his job!
About a decade ago, a forgettable, high school weekend spent binge watching cable (pre-Netflix) led me to my first Fincher film, Zodiac (2007)–one of the finest biopic thrillers of all time, and massively underrated (starring Jake Gyllenhaal, Robert Downey Jr., and Mark Ruffalo). Jump forward… When I first decided to pursue movie-watching beyond just your regular pastime, I started by seeking out the directors of my favorite films, and then exploring their work. I knew that Fincher would be one of my reliable directors to look into further based off of Zodiac alone—and I was right! He did not disappoint as I was introduced to inevitable favorites like Se7en (1995), The Social Network (2010) and Gone Girl (2014). In every case I started to realize that you can expect a few things from almost any Fincher film: visceral realism, high octane, stacked casts, and rewatchability.
David Fincher got his start working on classic films like Return of the Jedi (1983) and Indiana Jones and the Temple of Doom (1984). Though having a solid foundation with his father also being a screenwriter, he had to go through some years of directing commercials and an almost “Josh Trank-esque” experience with his directorial debut. Though the Alien franchise had garnered considerable success up to this point and his start with Alien 3 (1992) was met with mixed reviews (along with an Oscar nod for visual effects), there was a ton of studio interference along with nine different writers. Fincher would go on to disown the film saying, “No one hated it more than me; to this day, no one hates it more than me.” Though I think it is far from the weakest in the franchise, it’s definitely not one of the strongest sequels.
Luckily, his films have only gotten better as he has since been given more management over them. Se7en and Fight Club (1999) found their way to many of those aforementioned best-thriller lists with their engaging stories, novel twists, and great performances from Brad Pitt (in both), Edward Norton (Fight Club), and Morgan Freeman (Se7en). Honestly, these flicks are quality, and if you want to see how Fincher’s talents developed over the years, watch his movies in chronological order.
More recently, his installments have gained significant commercial and critical success, grabbed the attention of award circuits, and have been heavily considered some of the best movies of the year in which they came out. In fact, it’s been preferred by many that The Social Network had beat out The King’s Speech (2010) for Best Picture at the Oscars. Other Fincher films that have received more recent notoriety includes The Curious Case of Benjamin Button (2008) and Gone Girl. I would strongly suggest that you watch the latter if you haven’t already. Rosamund Pike, Ben Affleck and even Tyler Perry give intriguing performances, and the story (written and based on the bestseller by Gillian Flynn) makes for one of the most jaw-dropping, entertaining, mind “messer-uppers” that could only be flawlessly brought to life through Fincher’s expert directing.
Fincher’s next movie should be released this year (fingers crossed with COVID). It’s titled Mank (2020), which will chronicle a screenwriter’s battle with Orson Welles over writing credit for the movie Citizen Kane (1941), which many consider to be the greatest movie of all time. Being a big fan of The Social Network, and already seeing some striking similarities, I’m very much anticipating this release. Mank was actually written by David Fincher’s late father, Jack Fincher, and is set to star Gary Oldman in the lead role. Keep an eye out!
Fincher has said that he was heavily influenced by Hitchcock, which shouldn’t be a surprise as most of his movies have a considerable touch of Hitchcock-like suspense, albeit modernized. Common throughout his films, the cinematography has a signature dark-and-musky shade. You’ll notice it (if you haven’t already) while watching his films—it’s like a desaturated, monochromatic coloring that really ends up reinforcing the usually dreary world that his characters live in—what mostly comes to mind while explaining his style in Blade Runner (1982). Really, it’s a lot of that neo-noir, but without the sci-fi—and trust me, it works!
The funny thing is that there are many commonalities like this throughout his filmography, but he doesn’t seem to collaborate very much with the same people. The similarities in tone and style probably have something to do with the fact that he’s known for being a bit of a meticulous micromanager. Some of his lead actors (e.g. Jake Gyllenhaal, Rooney Mara) have spoken about their exhaustion from having to do retake after retake to get “the perfect scene”. But in turn, his perfectionism hasn’t been wasted as one of his editors said, “[It’s like] putting together a swiss watch… all the pieces are so beautifully machined. He’s incredibly specific. He never settles. And there’s a purity that shows in his work.” Honestly, in consideration of how much I love his films, I couldn’t be more grateful for the time and detail he puts into his work, even at the slight expense of his cast and crew.
Below is my ranking of Fincher’s movies. Check them out, and leave me a comment on whether you agree or disagree with the ranks, or if you love, hate or don’t care about David Fincher!
- Gone Girl (2014)
- Se7en (1995)
- Zodiac (2007)
- The Social Network (2010)
- Fight Club (1999)
- The Girl with the Dragon Tattoo (2011)
- The Curious Case of Benjamin Button (2008)
- Panic Room (2002)
- The Game (1997)
- Alien 3 (1992)