My recent run of movies that I’ve chosen to review have been, in a word, torturous. The continuation of movie theater closures during the Coronavirus pandemic has kept our choice of new movies very limited. Netflix seems to have been totally unaffected with releasing new movies in 2020. Their audience is already built in with over 100 million subscribers tuning into their Netflix Original content. Of course, their new movie and T.V. series productions have been impacted, but that is new content for 2021.
Netflix is such a fascinating, modern studio that I hope one day goes full meta and makes a docu-series of itself. “Netflix Presents: The Making of Netflix, a Netflix Original.” They’ve completely changed the game as it relates to how we consume our video content. They’ve disrupted the “norm” of the old Hollywood guard, and the industry will never be the same. Netflix has given opportunity to up-and-coming filmmakers, producers, writers, etc. that otherwise would not have that same opportunity when dealing with the larger movie studios. And with the risk-taking approach that has built Netflix into the giant that it is, comes the tares mixed in with the wheat.
I came across Horse Girl while browsing new content on Netflix. Nothing about it seemed remarkable, but this was a new movie released in 2020, and at the time, that was enough of a reason for me to watch it. At first glance, the only actor I recognized in the movie was Molly Shannon (a SNL staple during my adolescence) but after a little research I realized that I was familiar with some of the work that the lead actress, Alison Brie, had done (The Disaster Artist, The Post, The Lego Movie 2). Brie co-wrote the script for Horse Girl along with Director, Jeff Baena, and the film was screened earlier this year at the Sundance Film Festival. Baena and Brie also worked together on The Little Hours which debuted back in 2017. Unfortunately, after watching Horse Girl, any new project with Baena and Brie’s names attached to it is something I will likley avoid.
Horse Girl tells the story of a socially awkward and isolated woman named Sarah, who continually loses her grip on reality. Sarah has been deeply affected by her mother’s suicide the year before, and the loss of her horse to new owners. She spends her time between her job at a crafts store, and watching a supernatural crime show. Even with the help of her roommate, Nikki (played by Debby Ryan) who sets Sarah up on a date and encourages her to be more social, Sarah continues to plunge deeper and deeper into a schizophrenic state.
A series of very bizarre events, that leave me struggling for words to even attempt to explain, intensify as the film goes on. Events that make you wonder what the writers were thinking or experiencing that made them come to the conclusion that these were good ideas and something people would want to see in a film. In all honesty, I really struggled to even get through the film. I’ve never experienced the use of psychedelic drugs, so it’s unfair for me to compare the experience I had while watching this movie, but other explanations seem to be lacking. From bizarre fantasy sex scenes, to dreams of random strangers and then seeing those strangers in real life, to alien abductions, the movie seems to have the tools to be an interesting story, and somewhat engaging film, but will end up leaving you completely dazed and confused as to what this movie even is.
In all good conscience I cannot recommend this movie in the least bit. There are so many other new Netflix Originals that are worth your time (see: Spencer Confidential or Extraction), that Horse Girl should be the last thing you consider turning on before exploring other options.
Recommendation: SKIP IT