My Hindu Friend is Brazilian drama film, directed and written by Hector Babenco, starring Willem Dafoe, Maria Fernanda Cândido, Bárbara Paz, Selton Mello and Reynaldo Gianecchini.
This film was made back in 2015, but due to the director’s passing directly after the premiere, it is only now being released this year. The reason why is likely due to the film being based on the director’s personal experiences. His stand-in character is Diego played by Dafoe who is diagnosed with cancer. While he is hospitalized, he meets and befriends another patient, a Hindu 8-year-old boy who is also battling his own sickness.
Brazilian filmmaker Babenco directed many films over the course of 40+ years. His most famous film is Kiss of the Spider Woman for which he was nominated for an Academy Award for Best Director—the first Latin American to be nominated in that category. This film is meant to be his swan song, and for that this film is fairly poetic. The film documents his real-life battle with non-Hodgkin’s lymphoma and his subsequent bone marrow transplant.
At the beginning of the movie, Diego learns that his cancer has spread to his lungs and his doctor advises that he gets a bone marrow transplant. Undoubtedly, the shared sentiment with most cancer patients, Diego wants to live. The film then becomes an autobiographical series of snapshots including a wedding between Diego and his supporting partner, Livia (Maria Fernanda Cândido). The film then goes through every grueling step of treating Diego’s cancer: chemotherapy, removal of bone marrow samples, comatose nights that include visions of a mysterious otherworldly character. In an extremely meta way, Diego lets his passion for cinema and his friendship with the young Hindu boy (Rio Adlakha) give him a reason to live again, but it ends up being more difficult than he thought.
Dafoe as Diego is mesmerizing as he is able to make the audience care for him and hate him at the same time. Diego is indifferent to the world and is miserable to his wife. He constantly accuses her of having affairs but expects her to be there for him when he can’t handle the pain anymore; however, because of the circumstances and Dafoe’s brilliant acting, audience members never hate him too much. Viewers understand that he’s in mortal fear of his life and he’s angry. Each scene feels very natural and realistic, and any viewer can feel the despair happening in this movie. Candido, as his dutiful partner, is also quite good, and her character’s relationship with Diego is the powerhouse point of the film.
The film really struggles with its balance between the serious aspects and outrageous aspects; the latter can really affect the viewing experience as they are so odd that they feel completely different from the prior scenes. They are there to be Diego’s hallucinations, but the transitions between them and real life feel really abrupt. The title of the film feels a little off since the interactions between Diego and the little Hindu boy are limited in comparison to those outside of the hospital. This may have been purposefully done; however, given the amount of hallucinations and the title of the film, it is not too clear on why it was done. The film does drag on a little bit which may dissuade some viewers.
It is fairly interesting to see how this film essentially had Babenco analyzing himself and (given this film is his last) it ends up giving more sympathy to the man’s career. The beauty of this film is in the small moments of this procedure where the audience gets to see the feelings of the characters. That is where Dafoe is perhaps at his best. This is another film in his resume that shows he is one of Hollywood’s most under-appreciated actors. This film may not be perfect and it is odd at times but it is very touching when it tackles themes of mortality and rediscovering life. This film is definitely worth checking out as it is a rather surreal experience that allows the viewer to see how Babenco confronts death. It is now on Amazon Prime.
Recommendation: STREAM IT