One of the great things about Parasite winning best picture is it has inspired moviegoers to dive into the filmographies of great international filmmakers, like Parasite’s director Bong Joon Ho; a director that hopefully doesn’t get missed in this movement is Japanese filmmaker Hirokazu Kore-eda. His filmography is truly exceptional with such wonderful films as 2018’s Shoplifters, 2015’s Our Little Sister, and 2008’s Still Walking. His films have a humanity to them that leave you with a sense of hope and connection. It also always feels like he has an affection for his characters and by his understanding them we, as viewers, feel more understood. In Kore-eda’s latest film The Truth he is branching out beyond his native Japan to France, making a simple film about a family that anyone can relate to.
The Truth has an excellent cast, led by the great French actor Catherine Deneuve. She plays Fabienne, a star of French cinema who has recently published her memoir which—to her screenwriter daughter Lumir (Juliette Binoche)—is full of half-truths and falsehoods. Lumir comes to France with her working American-actor-husband Hank (Ethan Hawke), who is content with the simple pleasures of life. He does not care about the fact his life does not have the gravitas held in Fabienne’s memories—mostly left out of the memoir and oftentimes quite painful. He’s happy just to eat good food, spend time with his daughter, and act occasionally.
That’s the crux of the movie. What is a happy life? And what in our memories is the truth? Is Lumir’s version true? Is Fabienne’s? What does ambition get you? It’s interesting because The Truth as a movie doesn’t have a ton of plot. It’s the kind of film some people will find boring, but not yours truly. I liked spending time with these characters. It reminded me of lazy weekends with my own family (big personalities and memories included)!
Fabienne is also acting in a film called Memories of My Mother, about a woman who goes to space when she finds out she only has two years to live because “nobody grows old out there.” As Fabienne reads for the role (including one great scene with Hawke), she is forced to contemplate her own memories even more; in particular her own relationship with her daughter as she deals with her daughter in the film (played by Manon Clavel).
The Truth will not be for everyone. It’s a movie of simple pleasures. Again, if you like spending time with a family and contemplating the bigger questions of life then it will be for you. If that sounds like a super snooze then it won’t. I don’t know if it has quite the emotion of Kore-eda’s great films. It does feel a little easy to digest at times, but I still really enjoyed it. At times it reminded me of the Before Sunrise movies that are also about the ins and outs of a relationship or family group and seeing how everything turns out. I’d be interested to see how this family turns out just like we have been able to do in the Before Sunrise movies. Movies like The Truth make me want to try harder with my own family; and in this crazy world of coronavirus and panic, that’s pretty special.
Recommendation: STREAM IT
8 out of 10