The Coronavirus Pandemic of 2020 has completely turned the film and movie theater industries on their heads: every big budget movie has been delayed from its original release date; new dates are added in hopes that movie theaters will reopen soon, only to see the rescheduled dates be delayed again. Things have gotten so bad for movie theater companies nationwide that a petition to receive federal funding has been circulating and gaining momentum. #SaveYourCinema has become the rallying cry of movie fans and movie theater owners alike. (If you want to show your support, go visit www.saveyourcinema.com). The economy shutdown has likely saved lives and slowed the spread of the coronavirus, but it has also decimated countless small businesses, and continues to threaten larger corporations like AMC, Regal, Cinemark, etc.
As movie theater owners and patrons work to adjust to the new way of conducting business and supporting movie theaters, streaming services fill a void left in the vacuum of the movie industry shutdown. Dozens of movies that were slated for theatrical release were quickly switched to a VOD (video on demand) worldwide debut (e.g. Trolls World Tour), or some other movies had their worldwide debut on streaming services like Apple TV+ (e.g. Greyhound).
I had a friend mention to me last week that he misses seeing new movies. My response to him was that he more likely misses seeing new BLOCKBUSTER movies since there is a plethora of new movies that continue to release almost every single week (to which he agreed). Between streaming services like Netflix, Amazon Prime Video, Disney+, Apple TV+ etc., and VOD services like iTunes, Vudu, and Amazon Prime, there are dozens and dozens of new 2020 movies that are available to watch right now—to the point that I have ventured into seeing new movies that I otherwise would not have watched before… Which has not always been a pleasant experience.
And thus begins my review of Vivarium…
Vivarium debuted at the Cannes Film Festival in May of 2019. It never had a theatrical release and was instead released VOD worldwide back in March of this year. Vivarium tells the story of a young couple (played by Imogen Poots and Jesse Eisenberg) that is on the hunt for their first home together. They walk into a home developer’s office and meet with an odd real estate agent named Martin. Martin has a bizarre mannerism about him. He’s polite and is always smiling, but his social awkwardness was almost too much for me to handle. Like any good salesman, Martin guilts the young couple to take a drive with him to a new suburban development called Yonder, and to take a tour of the freshly built homes. As they pull into the new development you notice that everything is exactly the same—from the color of the houses, to the size of the houses, everything is in perfect unison. As Martin takes the couple on a tour of house #9, Martin’s mannerisms become more and more uncomfortable, and even sociopathic. As the tour comes to an end, Martin disappears outside leaving the couple alone inside. Gemma (Imogen Poots) and Tom (Jesse Eisenberg) go to their car and attempt to exit the neighborhood. They drive for hours trying to find the exit all the while ending up right back where they started at house #9.
At the beginning of the movie before any of the human characters are introduced, there is a short clip of the parasitic life-cycle of a cuckoo bird. If you’re unfamiliar with a cuckoo bird, get ready to be educated. Female cuckoo birds lay their eggs in the nest of other bird species. Once hatched, the baby cuckoo pushes out any other baby bird or egg from the mother bird, and then is tended to by the surrogate mother bird. Even as the cuckoo grows to sizes bigger than the surrogate mother bird, the cuckoo begs and whines for attention, food, and care from the surrogate. When Gemma and Tom are left alone and unable to escape from this bizarre labyrinth of houses, they discover a box outside house #9 that says, “Raise the child and be released.” I am not inclined to say anymore about the story without getting into spoiler territory; suffice it to say, the cuckoo clip in the beginning has a little something to do with the overall plot of the movie.
Vivarium is an original story that presents a unique and interesting enough plot to hold some viewers’ attentions, but not enough to hold mine. It presents some ethical and moral dilemmas throughout the movie that scratch the surface of really getting you to wonder, “What would I do in this same situation?” but not deep enough to really explore those elements. The pacing is very slow, and the lack of music (although not completely devoid of a score) makes the pacing that much slower. I was very much intrigued by the trailer, and since new movies are not the most abundant product around, I took a stab. But I would be doing everyone reading this a disservice if I said I liked Vivarium, or would recommend it—I just can’t. Even with the creatively clever title “Vivarium” (think Aquarium or Terrarium), there’s just not enough substance to fill even a decent run time of 97 minutes.
Vivarium is currently streaming on Amazon Prime Video.
Recommendation: SKIP IT