There’s something about Kevin Costner and the romanticism of “The Old West”. Say what you will about the true history of western expansion, but there are few cinematic motifs burned into our American psyche as strongly as the romantic western. Costner’s been behind a lot of the good ones, and Let Him Go owes a lot to that tradition.
The film begins with George and Margaret Blackledge (Costner and Diane Lane) mourning the loss of their son. His widow then remarries for security instead of love, which places their daughter-in-law and grandson in the clutches of unscrupulous matriarch Blanche Weboy (Lesley Manville) and her family of thugs. A simple request for custody of the boy escalates into a matter of life and death.
The film’s narrative hangs on the western framework: The old gunslinger who doesn’t sling his gun anymore, the firebrand who can hold her own, a family of criminals who answer to no one, and wrongs that must be righted with blood. Let Him Go rises above that standard fare on technical merit alone. Guy Godfree blesses the screen with gorgeous shots of Montana. Even the Dakotas look beautiful in frame despite their relative barrenness. This material is elevated even further by the sensitive direction of Thomas Bazucha and the performances of Lane and Costner. The rapport they display and the tenderness they show would be strong enough for the best of dramas. The resolve (and willingness to take it “there”) they display is strong enough for any white hat who’s ever been early to the showdown. These characters don’t reach the mythic heights of more traditional films, but the DNA is recognizable.
That’s the real strength of Let Him Go–particularly in Margaret’s character. So much of the story hinges on her decisions. George is there to be the strong shoulder and the voice of reason, but what is reason to a mother who can’t escape her loss? What is reason to a man who wants to help his wife with that escape? This is the dynamic that drives the film, and they nail it pitch perfect. The title “Let Him Go” becomes both a plea and an order that references the boy and his father all the same. The couple are at odds in how to reach a resolution, yet they know they have to carry each other above all else. It’s powerful stuff.
Let Him Go isn’t going to be the feel-good hit of the winter lockdown. What you should expect to see is a solid, assured piece of mature film making. Balance is the name of the game here. The movie is just as tender as it is terrifying. At times it sprawls like the wide open plains and canyons. In other moments it provides warm intimacy. The intimacy and the tender moments are welcome, because a love this strong and a hurt this deep come at a price, and like all Westerns, that cost must be paid….in full.
*Disclaimer: Let Him Go was released in theaters where theaters are open. If you are near an open movie theater, it might still be available to go see. If not, the film is already available to rent or purchase through VOD services.
Recommendation: Go See It!