I’m going to be straightforward with everyone right off the bat… Given, I still have quite a bit on my 2020 watchlist, but as of right now, Promising Young Woman is my choice for what would be Best Picture, indie film or not.
This film takes all the nuance and excitement of a femme fatale action-comedy, mixes it with the delicate emotions of a drama, and dashes it with the utterly nail-biting tension of a psychological thriller.
Promising Young Woman delves into some delicate and often polarizing issues as it follows a traumatized and hardened woman (played exceptionally by Carey Mulligan) who constantly puts herself in vulnerable situations with men, and then proceeds to teach them a lesson…of sorts. I won’t say more, but in case you think this movie is predictable just from the trailer, you’ll likely find that you’re wrong. These twists and turns WILL KNOCK THE WIND OUT OF YOU, and there will be inevitable group discussions throughout; if not, positively as the credits roll.
If you were a fan of the writing of The Crown, Killing Eve, or Call the Midwife, you’re in luck. The same Emerald Fennell writes and directs this with such natural precision on human behavior as well as such a sincere take on otherwise divisive subject matters. I’m convinced that even the crudest chauvinist wouldn’t be able to deny the ability this movie has to help one question, or at least analyze, their moral compass. It’s that good.
Again, Carey Mulligan performs beautifully here. She’s always been a very underrated but bankable actress, and this really feels like her moment to break into household familiarity (if enough people watch it). She’s subtly ruthless, even keel, and also charming. I’m not sure the movie would be anywhere near as impactful without her expert performance.
Other cast members include Alfred Molina, Alison Brie, Laverne Cox and Christopher Mintz-Plasse… Oh, and also Bo Burnham! Even though most of them have small roles, it’s the kind of lineup where you can feel that these people said to themselves early on, “This is a big deal, and I want in!”
To conclude, there won’t be any spoilers here, but the ending had me on a 30 minute phone conversation with my uncle who’s in law enforcement, because my mind was THAT blown and I was THAT invested. Go watch it, tell everyone about it, and then watch it again.
Recommendation: Go See It!
About the AuthorResident of Utah County, Ex Movie-Pass owner, and married with a baby! Good movies have been my go-to pastime for as long as I can remember; from my dad introducing me to gems such as Tommy Boy and Dumb and Dumber, to discovering the work of people like Paul Thomas Anderson, The Coen Brothers, Francis Ford Coppola, and Steven Spielberg. These filmmakers taught me that cinema truly is an art form. Movies are my way of better understanding complex emotions and unfamiliar walks of life. Movies are a consistent and reliable way of connecting ourselves to the human race, and it’s often done marvelously. I love it!
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By Rachel Wagner — 2 years ago
We watch movies for lots of different reasons. Sometimes it is to get our adrenaline pumping; other times it’s to have a good cry, and every so often it’s to connect with the human experience. Often these types of films can be labeled as ‘sentimental’ or trite, but if they have an emotional heft to them they can be just the ticket to help us process our own relationships and life challenges. Such is the case with 2 new films: Made in Italy, which is available in select theaters and VOD (video on demand), and Chemical Hearts, which is available on Amazon Prime Video. While neither film is perfect, they both have their heart in the right place and are worth a watch.
Made In Italy
Our first film is Made in Italy. Watching this film is the cinematic equivalent of eating a big bowl of pasta with a good friend: warm and comforting; it just works. The film stars Liam Neeson playing a father who is estranged from his son, an art gallery curator played by his real life son Micheál Richardson. Together they must work to renovate a house in Tuscany, all while finally coming to terms with the loss of their wife and mother years before.
This of course has extra poignancy given the real life story of Liam and Micheál losing their own wife and mother Natasha Richardson to a terrible accident in 2009. One can’t help but feel the experience of making the film was cathartic for the father and son, and we as an audience pick up on that catharsis and experience that along with them.
Plus we also get to see Neeson doing great work as he processes his grief and tries to connect with his somewhat bitter son. In the home they are renovating there is a wall of art he created after the loss and its presence throughout the renovation is a story all unto itself.
Made in Italy also has some sweet romance and the escapism to Florence we all need in these days of quarantine. If you like movies like Return to Me (2000) or Under the Tuscan Sun (2003) you will enjoy this movie. I don’t think it needed to be an R rated film as none of the language added much to the story, and Richardson can’t quite live up to the acting chops of his Dad but it’s a sweet and sincere film about a father and son that is definitely worth a watch.
Recommendation: Go See It!
While Made in Italy explores a father and son dynamic, Chemical Hearts dives into a more standard teenage love story, but it is no less heartfelt and sincere. The film stars Austin Abrams as Henry, a hopeless romantic teenager. It’s similar in a way to the Disney+ Stargirl (2020), but it’s better executed here. One day, to his chagrin, Henry gets assigned to work on the school paper with the new girl, Grace, played by Lili Reinhart.
Like Stargirl, this could have easily devolved into a manic pixie dream girl teen edition but Grace is better written than that. She is confusing and feels like a real teen struggling to deal with her feelings. Reinhart is also better than the typical manic girl with a warmth and honesty to her performance you don’t always see in this genre. Grace is more emotionally mature than Henry, and while he is delighted by his first love, she is worried about deeper things like the possibility of death and the fleeting nature of happiness, especially as an adolescent.
Even at 93 minutes Chemical Hearts did feel a little stretched out at times and there are moments when the pacing could have been improved. The film looks gorgeous with beautiful cinematography by Albert Salas but at sections that do feel a bit languid. Also, the teen romantic dialogue does get a little syrupy on occasion, even for me who loves that kind of thing.
With that said, Chemical Hearts is definitely worth watching, especially if you are a teenager or have teenagers in your life you will likely love it. Again I wish it was not rated R as the sensuality, language and drug use is not needed and could ostracize some of the very people who the film was made for. Nevertheless, mature teens should be able to handle Chemical Hearts and will hopefully gain some insight into trauma, romance and how human connection can help us through something as turbulent as growing up.
Recommendation: STREAM ITPost Views: 1,791
By Parker Johnson — 2 years ago
The New Mutants release date has become something of a joke as of late. Between the rumors of reshoots, the confusion between the Disney/Fox merger, and delays because of the Corona Virus- The New Mutants seemed to be cursed. But against all odds, it ended up being one of the first new movies to be released in 2020. Being a fan of the X-Men films, and of Anya-Taylor Joy and Maisie Williams in particular, I was eagerly awaiting this film for two years, and I leapt with joy when I finally got to see it in theaters.
The New Mutants has been described by its director as “John Hughes meets Stephen King”–a combination of the horror and coming of age genre. This hybrid is nothing new with shows like Stranger Things and the It movies. So having some of the X-Men set in this kind of environment is such a great idea for a film. However, The New Mutants fails to do something that is absolutely vital in order for a horror movie to succeed: establish the scare.
In the beginning of every horror movie you need to establish what we should be frightened of–whether it be a setting (like a haunted house), a supernatural entity (like a ghost or demon), or a specific person. Once we establish the scare, we are then able to increase tension until the final confrontation or twist.
The first two acts are really weakened because we are shown scares without it connected to anything. Frightening events happen with seemingly no connectivity until the final act. We are unable to determine if we should be wary of the hospital our characters are in, the director of said hospital, or one of the characters in the hospital. If we had any lead (even a false lead) we could have been more engaged with the scares instead of just randomly jumping from horror scene to horror scene.
What I Liked
Relationships: Despite the lack of a proper horror establishment, what kept me interested in the first two acts was the relationships between our characters.
One of the main themes of this movie is how we deal with trauma in our lives and how we each cope with it in our own specific way. Illyana (played by Anya-Taylor Joy) lashes out in anger and sarcasm and is an absolute joy to watch as she learns to open up to her eventual friends. The stand out relationship of the movie is between Dani (played by Blu Hunt) and Rahne (played by Game of Thrones standout Maisie Williams). Rahne offers a really interesting dynamic as she is a person of faith while dealing with the burden of being a mutant. Her positivity during the whole movie was so charming and filled with warmth, and her romance with Dani was so genuine and heartfelt. These characters make the movie, and without these actors giving their all to these roles, the movie definitely wouldn’t have been as good as it was.
Scares: I personally am not frightened by the typical loud jumpscare-noise-thing that infects most of the horror movies Hollywood churns out. I get startled, I jump in my seat, and then I move on. What really gets under my skin is when the scary thing is disturbing and/or specifically relates to a trauma that the characters go through .The latter is what the film chooses to employ. The CGI isn’t anything to write home about, but boy does it know how to pack a gut punch. I audibly gasped “oh crap” when it was revealed what the “smile creatures” shown in the trailers actually were. And the shower scene shown in the trailer? Terrifying. You don’t have to have the best gory effects, or have something jump out at you every ten minutes for it to be effective. Maybe the real scares are the trauma we made along the way.
Final Tribute: There is no end credit scene, but there is something else fans can look forward to. Bill Sienkiewicz, who originally worked on the “Demon Bear Saga” (the story this film is based on) in the comics drew a portrait of each of the actors in character, which were displayed over the end credits. It was a beautiful tribute to the last X-Men movie we will get from Fox… excuse me… 20th Century Studios.
The New Mutants is a fun and heartwarming mashup of the best parts of Glass (2019) and the It movies. Was it worth the two year wait? Honestly, it was for me. It wasn’t the greatest movie ever made, but it certainly doesn’t belong down at the bottom of the mutant list with X-Men Origins (2009) and Dark Phoenix (2019). Booth has created a solid mid-tier horror coming of age tale that should satisfy X-Men fans and young horror fans alike. I know I look forward to having this movie on my shelf and re-watching it whenever I need a fun spooky movie to watch.
Recommendation: Go See It!Post Views: 7,480
By André Hutchens — 2 years ago
Watching the trailer for 7500 might leave you somewhat underwhelmed and uninterested, as it did me. Airplane hijacking movies are a dime a dozen; an outdated genre that still lingers on. Even 19 years post 9/11, we seem to revisit this collective trauma annually with the release of new hijacking movies. I have my fair share of hijacking favorites that I enjoy revisiting from time to time: Air Force One (1997), Con Air (1997), Snakes on a Plane (2006), all “turn off your brain” kind of films that are the epitome of popcorn flicks. (Man, 1997 was a great year for hijacking movies!) Physical force and action sequences usually dominate this genre, but I am happy to say that 7500 couldn’t be more different to the typical hijacking movie.
7500 debuted last year at the Locarno Film Festival in Switzerland, and was released in the U.S. this June on Amazon Prime Video. It is directed by German born Patrick Vollrath, this being his first full-length feature film. The movie stars Joseph Gordon-Levitt as Tobias, First Officer and co-pilot of a commercial flight from Berlin to Paris; and Omid Memar as Vedat, a young Turkish Islamic Extremist, who is having second thoughts on the morality of this hijacking.
The plot of of the movie is as follows: a commercial airliner is taking 85 passengers from Berlin to Paris. Islamic Extremists attempt to take over the plane using broken bottles of glass as weapons, and taking some of the passengers as hostages. The are unable to break into the cockpit, so they use threats of violence and death on passengers in an attempt to coerce the pilots to let them in. Without giving too much away, this is the basic plot of the film. But what makes this movie so intriguing—and ultimately why I am going to recommend it—is because of how deeply intimate and thought-provoking the story is.
The entirety of the movie takes place inside the cockpit of this airliner. It felt reminiscent of films like Buried (2010) and Locke (2013), or maybe if you mixed those two together. You get to see in detail the level of complexity that exists within these marvelous machines, and the level of education needed to pilot them. There is no musical score throughout the film, which adds to the authenticity of this small world created on screen. Gordon-Levitt and Memar bring exceptional performances to their roles, and gives me hope that one day Gordon-Levitt will be seen and revered as a highly talented actor, and land the larger roles that he has earned.
I often hear other movie fans say that the most fundamental aspect of a movie its ability to entertain its audience. I have a hard time agreeing with this notion. If entertainment was the goal of every movie, then the value of movies would mean very little to those who do enjoy them. My belief about what makes film so universally loved by humans everywhere is its ability to tell a meaningful story. Stories (specifically stories about the human experience) are what captivates the minds and hearts of the audience. 7500 gets at the heart of humanity in the midst of trial and tribulation. It will make you think about ethical and moral dilemmas that you otherwise might not be thinking about. I love movies that make me ask myself, “What would I do if I were in that same situation?” but without offering a clear path or definition of what that right answer is. Yes, there are specific character and plot sequences that I would have changed up a bit, but there isn’t anything too egregious enough for me to give more attention to.
If you have an Amazon Prime account, go give 7500 a shot. I think you’ll be pleasantly surprised on the outcome, and at only 90 minutes, it’s well worth the investment of your time.
Recommendation: STREAM ITPost Views: 1,199