I’m going to be straightforward with everyone right off the bat… Given, I still have quite a bit on my 2020 watchlist, but as of right now, Promising Young Woman is my choice for what would be Best Picture, indie film or not.
This film takes all the nuance and excitement of a femme fatale action-comedy, mixes it with the delicate emotions of a drama, and dashes it with the utterly nail-biting tension of a psychological thriller.
Promising Young Woman delves into some delicate and often polarizing issues as it follows a traumatized and hardened woman (played exceptionally by Carey Mulligan) who constantly puts herself in vulnerable situations with men, and then proceeds to teach them a lesson…of sorts. I won’t say more, but in case you think this movie is predictable just from the trailer, you’ll likely find that you’re wrong. These twists and turns WILL KNOCK THE WIND OUT OF YOU, and there will be inevitable group discussions throughout; if not, positively as the credits roll.
If you were a fan of the writing of The Crown, Killing Eve, or Call the Midwife, you’re in luck. The same Emerald Fennell writes and directs this with such natural precision on human behavior as well as such a sincere take on otherwise divisive subject matters. I’m convinced that even the crudest chauvinist wouldn’t be able to deny the ability this movie has to help one question, or at least analyze, their moral compass. It’s that good.
Again, Carey Mulligan performs beautifully here. She’s always been a very underrated but bankable actress, and this really feels like her moment to break into household familiarity (if enough people watch it). She’s subtly ruthless, even keel, and also charming. I’m not sure the movie would be anywhere near as impactful without her expert performance.
Other cast members include Alfred Molina, Alison Brie, Laverne Cox and Christopher Mintz-Plasse… Oh, and also Bo Burnham! Even though most of them have small roles, it’s the kind of lineup where you can feel that these people said to themselves early on, “This is a big deal, and I want in!”
To conclude, there won’t be any spoilers here, but the ending had me on a 30 minute phone conversation with my uncle who’s in law enforcement, because my mind was THAT blown and I was THAT invested. Go watch it, tell everyone about it, and then watch it again.
Recommendation: Go See It!
About the AuthorResident of Utah County, Ex Movie-Pass owner, and married with a baby! Good movies have been my go-to pastime for as long as I can remember; from my dad introducing me to gems such as Tommy Boy and Dumb and Dumber, to discovering the work of people like Paul Thomas Anderson, The Coen Brothers, Francis Ford Coppola, and Steven Spielberg. These filmmakers taught me that cinema truly is an art form. Movies are my way of better understanding complex emotions and unfamiliar walks of life. Movies are a consistent and reliable way of connecting ourselves to the human race, and it’s often done marvelously. I love it!
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By The Formal Review — 6 months ago
The Old Guard is a superhero film directed by Gina Prince-Bythewood and written by Greg Rucka. It is adapted from Rucka’s comic book of the same name. The film stars Charlize Theron, KiKi Layne, Matthias Schoenaerts, Marwan Kenzari, Luca Marinelli, Harry Melling, and Chiwetel Ejiofor.
The Story & Direction
The Old Guard tells the story of a small group of vigilante warriors who all share a special ability, and attempt to use that ability to make the world a better and safer place. Our “superhero” team is led by the fearless Andy (Charlize Theron), along with three others who are extremely skilled in the art of combat. But what is the one superpower they all share? …Immortality. Almost every time that Andy and her team are shot, blown up, stabbed, fall from great heights, or are injured in any way, they are able to heal and recover—to the surprise of their attackers. This film was advertised as an over-the-top action film, which director Prince-Bythewood definitely delivers. The action is fast, fierce, and isn’t filled with excessive CGI aspects. The film is about the characters and their extended lifelong journey together.
Aside from the obvious star aspect, Theron’s Andy is the one in charge because she has been alive the longest. We aren’t given her exact age, but she has been around “long enough” to have more life experience than her teammates. Her team is made up of partners Joe (Marwan Kenzari) and Nicky (Luca Marinelli) who met interestingly on opposite sides of the Crusades. They are joined by Booker (Matthias Schoenaerts) who found the others during the Napoleonic Wars. They all have died and come back multiple times and lost a lot of people along the way. They have even lost other immortal team members. You may ask, “How is that possible when they are immortal?” The answer is what makes this story very compelling as it adds a very vulnerable aspect to these “superheroes.” To say what it is would be entering spoiler territory; however, it does allow for someone to watch this intriguing film all the way through—even if the story is somewhat familiar. Theron is definitely the standout and continues to show that she is a chameleon in Hollywood. Her acting in The Old Guard shows her character’s age and wisdom. Her experience has shown that the world hasn’t changed very much and any good she has done may have been in vain.
The team finds a new immortal, Nile (KiKi Layne), whom they have to convince of their powers and her own. Nile develops a bond with Andy and their relationship is a good one to follow throughout the film. Layne, mostly known for her work in 2018’s If Beale Street Could Talk, provides a funny (at times) and heartfelt performance. However, Theron’s and Layne’s performances aren’t able to fully elevate the movie’s (somewhat) unoriginal story.
This film’s plot is not a unique one, even though it is decent enough to keep most viewers entertained. Each major plot point is fairly predictable and some of its attempted ethical aspects are not executed well. For example, Andy’s team sees themselves as an intervention force similar to that of DC Comics’ League of Shadows. They kill people when it is absolutely needed, but their newest recruit Nile does not approve of their methods. They are “saving” people by killing others. It’s contradictory but because this film’s biggest draw is its action sequences, this ethical dilemma seems glossed over; also there are some parts of the film that feel drawn out and could have been cut. In addition, the villain is fairly cliche, even though it tries to modernize a younger villain within a pharmaceutical company. Merrick is over-the-top at times but Melling does act his part well. It almost feels that this role is Dudley Dursley from the Harry Potter series who grew up and became successful.
Even with these issues, The Old Guard does build a very interesting world, and the characters are intriguing enough to watch… With perhaps future sequels. Theron is an amazing star that continues to shine in this film, even if it is slightly unoriginal. You don’t need to rush to watch it, but it’s definitely worth watching if you have some free time for a decent action film. The Old Guard is streaming exclusively on Netflix.
Recommendation: STREAM ITPost Views: 2,417
By André Hutchens — 10 months ago
I’ve often heard people compare Netflix’s original content selection model to “throwing spaghetti against the wall and seeing what sticks,” which often seems to be a fairly accurate statement; especially if you’ve spent a good amount of time watching Netflix original content. There’s a lot of good, but there’s also a lot of bad. Spaghetti that’s stuck: Stranger Things, To All the Boys I’ve Loved Before, Bright (I personally love this David Ayer movie), Daredevil, Murder Mystery, Grace and Frankie, Queer Eye, The Haunting of Hill House, Roma, The Ballad of Buster Scruggs, etc. That list is pretty long, and substantial. Netflix has really begun to hone in on their craft. But it’s been a bumpy road along the way. Spaghetti that has not stuck: Rim of the World, The Open House, Polar, How It Ends, The Titan, The After Party, Everything Sucks, Disjointed, etc. (If I called out any show that you’re a fan of, please do tell me why you like that show!) Here’s what I’m getting at: What happens if that spaghetti you threw against the wall stuck but is slowly sliding down, making its way to the floor? That’s exactly how I feel about Spenser Confidential. It’s really not that great of a movie, but it was free! (kind of)
Spenser Confidential (loosely based on the novel Wonderland by Ace Atkins) stars Mark Wahlberg, Winston Duke, Alan Arkin, Iliza Shlesinger, and Bokeem Woodbine. The movie takes place in Boston, MA, where it was also shot and filmed. This is Mark Wahlberg in his natural habitat doing Mark Wahlberg things. I like Wahlberg. I’m not sure there’s a movie of his that I didn’t enjoy to a certain extent. And any time you go see a movie starring Wahlberg, you kind of already know what you’re going to get. Like many actors in the business, Wahlberg just plays himself. So it’s a good thing that he’s got a charismatic way about him, because without Wahlberg, this movie likely would have sunk like a rock in the Boston Harbor. Wahlberg plays Spenser, a disgraced Boston police officer, who has spent the last five years in prison for assaulting his superior in his own home. Spenser re-enters society after his five year prison stint with hopes of leaving Boston and starting his life over (Why as a truck driver living in Arizona? I’m still trying to figure that one out). Spenser has help acclimating back into society from his old fighting coach, Henry (played by Alan Arkin). Henry allows Spenser to live with him, where Henry is also mentoring and housing an up-and-coming fighter named Hawk (played by Winston Duke). Shortly after Spenser leaves prison, other Boston police officers are murdered, which sparks Spenser’s policing instincts to begin his own investigation into these suspicious murders.
The plot plays out in very familiar fashion. You’ve definitely seen this kind of movie before—think Lethal Weapon, Rush Hour, 16 Blocks, or The Other Guys—the buddy-cop action-comedy, but just not nearly as good or as memorable as those classics. Mark Wahlberg and Winston Duke make a really interesting pair; although, I wish Duke had more to do in this movie. Every time his character is given some light, he shines, but only long enough for the spotlight to be taken away, leaving you wanting more from him. Duke is a very talented actor; he was fantastic in Jordan Peele’s Us, and I’m ready for him to take on a true starring role. The more tense and serious moments of the movie are broken up well with bits of comedy from Spenser’s jilted lover, Cissy, who is not happy about the five years she’s spent alone waiting for Spenser to get out of prison. Cissy definitely plays the part of a strong, confident Bostonian woman: she takes what she wants when she wants, and is not scared to get her hands dirty. Wahlberg really is in his element playing an ex-cop in Boston. This is his city, and he feels right at home in this movie.
Where the movie’s wheels fell off for me was the ending. It was far too predictable, and felt like a cheap way to end the movie. Corruption in law enforcement and local elected officials is not an uncommon story, but I always find myself eager to watch these kinds of movies. Maybe that’s because deep down we all know (or want to believe) that these kind of stories are real. We want to see that dirty underbelly of the city we’ve grown up in; we want to swing that door open as fast as we can and expose those filthy rats in the basement; we know they’re there—we just can’t see them. Movies like Spenser Confidential help to fill in the gaps of what we already suspect is happening in real life. So when the movie approaches the ending, and both my wife and I are audibly predicting what is going to happen, and then rolling our eyes when it does, it just feels cheap. Good thing this is a Netflix movie, which means we got to sit in the comfort of our own home, on our own couch, and just veg.
Now it comes to it: my recommendation. Like I stated earlier in this review, Spenser Confidential really isn’t that great of a movie, but I didn’t regret spending the 1 hour and 45 minutes it took to watch it. The reason I will give it a “Stream It” is because this is a Mark Wahlberg-starred movie, and he is able to do enough to keep the movie afloat. The only thing this movie will cost you is your time. So if you’ve got some time to spare, give Spenser Confidential a watch.
Recommendation: STREAM ITPost Views: 572
By Parker Johnson — 6 months ago
Hamilton is particularly challenging to review as a film since it wasn’t made as a traditional movie, instead being a filmed stage production. If I had to nit pick one thing, it would be that because this ultimately is a staged performance, the cinematography was not the same as it would be an actual movie. They had to make up for the fact that we’ve lost the ability to see the entire stage at once like we would if we were actually attending the Broadway performance. So, in some cases where they could’ve used a more cinematically pleasing shot, they cut to different angles so we could see a different perspective (I’m specifically thinking of the “rewind scene” from “Satisfied”). This is not inherently bad, since if we were a part of the actual audience, our attention would be focused on different things at different times. However, it doesn’t quite translate over to a film as well. But overall, the cinematography is the best we could’ve hoped for from a musical of this caliber.
Another thing that limited Hamilton was its choice of provider–Disney+. Lin-Manuel Miranda clarified on his Twitter account that in order for Hamilton to keep a PG-13 rating, its three “F-bombs” would have to be censored. While it is understandable (Lin wanted audiences of all ages to be able to enjoy the historically based musical) I personally felt like they should’ve left it uncensored and left Hamitlon unrated. It’s a filmed stage production after all, it shouldn’t be subject to the same weird standards that the MPAA places on normal movies. However, I respect Lin’s and Disney’s choice on the matter.
I have been listening to the Hamilton soundtrack for five years now, and I was ready to see the context in which the musical existed and I was blown away by all the performances. The advantage of filming the live production has given us the ability to see all the subtle emotions playing on the actors’ faces. Seeing the fear, anger, disgust, heartbreak, and tenderness made the musical all the more emotionally engaging. Seeing Daveed Diggs bounce around the stage as Lafayette/Jefferson left me grinning from ear to ear. I was particularly surprised by Leslie Odom Jr.’s subtle performance. For nearly the whole musical he kept this fake smile on his face (reflecting Burr’s “talk less, smile more” philosophy), but near the end of the final act it dropped to reveal the buried rage within. Truly a powerful performance.
I was also stunned by how good everyone sounded. I’ve listened to the Original Cast Recording so much I’ve lost count, and I expected it to be the gold standard for the performances. However, I think the live singing was even better! My jaw actually dropped during “One Last Time” and “Satisfied” from the immense power of the vocals. Every solo was like this, so beautiful and powerful and emotional. I was also really surprised by the way Lin handled being the weakest link vocally. (Mind you, he actually held his own in his duet with Leslie in “Dear Theodosia”) Even though he’s not the best vocalist/singer, he portrays his singing with such earnesty and emotion that it overshadows his weaknesses. Honestly, all the cast were absolutely fantastic. Everyone was so good!
Hamilton the movie is everything I wanted from the filmed stage production and more. As getting Hamilton tickets is a struggle, along with the pandemic affecting theaters across the country, this is the closest thing to actually seeing the live show as many people are going to get. Lin-Manuel Miranda has created a masterpiece, and I am so glad he’s sharing it with us.
Recommendation: STREAM ITPost Views: 2,645