The Hollywood box office just had its worst weekend total since 1990 (I really hated writing that sentence). And unfortunately, this might be the predominant Box Office Bulletin headline for the foreseeable future (I really don’t want to get used to that either…). As we move into discussing the box office numbers from movies this past weekend, keep in mind that every single movie currently in theaters is being impacted by Coronavirus disease 2019 (COVID-19), and the current global climate of self-isolation and social distancing will force these numbers into record lows.
As the reality of the COVID-19 pandemic begins to settle in, lives around the world are forced to adapt. It’s safe to say we would all prefer things to go back to what we call “normal” and for life to resume the way it was just a few weeks ago: but this is the new reality (for now), and adapting is something that humans do very well. We adapt, we move forward, we find ways to make the best of what life gives us. Rocky probably said it best when dealing with tough challenges in life:
“Let me tell you something you already know. The world ain’t all sunshine and rainbows. It’s a very mean and nasty place and I don’t care how tough you are it will beat you to your knees and keep you there permanently if you let it. You, me, or nobody is gonna hit as hard as life. But it ain’t about how hard ya hit. It’s about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That’s how winning is done! Now if you know what you’re worth then go out and get what you’re worth. But ya gotta be willing to take the hits, and not pointing fingers saying you ain’t where you wanna be because of him, or her, or anybody! Cowards do that and that ain’t you! You’re better than that!”– Rocky Balboa (2006) | MGM Distribution Co.
And with that, let’s get into some numbers.
Pixar’s Onward captured this past weekend’s top spot by earning an additional $10.6 million at the domestic box office. Onward‘s global total has now reached $101 million. From week one to week two, Onward dropped 73% in its domestic earnings, becoming the steepest decline for any Pixar movie in its second weekend. The Good Dinosaur (2015) previously held that spot, dropping 61% in its second weekend, followed by Cars 2 (2011) dropping 60% in its second weekend. This is without a doubt a huge disappointment for Pixar and the filmmakers of Onward, as these numbers are no way reflective of the quality of the film.
In its opening weekend, faith-based film I Still Believe was able to gross $9.5 million domestically, coming in second just behind Onward. Lionsgate’s newest inspirational film did see a few international screens in Australia and New Zealand adding less than $300k to its box office totals. I Still Believe follows in the footsteps on another “true story” faith-based film distributed by Lionsgate called, I Can Only Imagine (2018) which grossed over $85 million total at the box office. Sadly, I don’t believe (pun absolutely intended) that I Still Believe will come close to making those kinds of numbers considering the current COVID-19 global climate.
Sony Pictures’ Bloodshot takes third place for this past weekend’s box office. Bloodshot earned $9.1 million domestically, with an additional $15.1 million at the international box office. This is the lowest domestic opening weekend total for Vin Diesel since his 2015 film, The Last Witch Hunter. Even with current public gathering restrictions being implemented worldwide, Bloodshot debuted in 14 other countries, with Russia, Indonesia, and Mexico being the top three international markets. Vin Diesel stars in the lesser-known comic book adaptation from Valiant Comics as a technologically enhanced super-soldier named Ray Garrison. Bloodshot is the first of more Valiant Comics adaptations to come. Harbinger is the next slated adaption to hit theaters and is currently in development. Bloodshot earned a “B” from CinemaScore, while Rotten Tomatoes showed the common divide between that of critics and the general audience. The approval rating from critics is at 32% with 111 reviews at the time of writing this article, while the audience posted a 78% approval rating with 1,080 reviews.
Rounding out the top five of this past weekend’s box office are two films from Universal Pictures. In its third weekend The Invisible Man added $5.9 million to its domestic total, bringing its global box office total to $122.6 million. Kudos to Universal Pictures for instilling confidence back into the public that their iconic collection of ‘Classic Monsters’ can be adapted into compelling modern-day stories. The second Universal movie is the highly controversial film, The Hunt. Originally slated to release in Sept. 2019, the movie was pulled in the wake of the Dayton and El Paso shootings last year. The Hunt is a political satire and dark comedy about wealthy elite liberals who kidnap young adult conservatives to their ranch where they hunt them for sport. The Hunt made $5.3 million domestically, while receiving mixed reviews from both critics and audience members alike.
Here’s a look at how other movies still showing in theaters are performing:
Sonic the Hedgehog – $145.7 million domestic total, $306.4 million worldwide total.
The Way Back – $13.3 million domestic total, $14.3 million worldwide total.
The Call of the Wild – $62 million domestic total, $107.2 million worldwide total.
Emma – $9.9 million domestic total, $25 million worldwide total.
*Note: All financial data is provided courtesy The Numbers, my favorite source for box office data.