Christopher Nolan

ROUNDTABLE RECOMMENDATIONS: A Look Back at Some of Our Favorite Movies of 2020

*Editor’s note: The year that seemed like it would never end has done the impossible… it’s actually over. 2020 has been a year unlike any other in our lifetime, and I think it’s safe to say that most of us are glad to see it go. Through it all, we have gained experiences and memories (both good and bad) that will shape our lives for years to come. Movies, and the lack thereof, might seem a trivial things when compared to the crushing challenges many faced in 2020; death, sickness, unemployment, school closures, social interactions etc. have all paid a heavy toll on societies around the world. Encouragement, hope, friendship and love are forms of strength that can be derived from stories, and as pillar of modern day storytelling, we want to share with you which movies we fell in love with in 2020 and wholeheartedly recommend to you. Enjoy!

André Hutchens: As bad as 2020 has been for the movie theater industry (and I only hope a speedy recovery for the industry), streaming services have never been more in demand. Lockdown mandates and social distancing policies have all but crippled movie theaters globally, but one industry’s tragedy is another industry’s triumph. And no streaming service has reaped the rewards more so than Netflix. With over 200 million subscribers worldwide, Netflix is the King of streaming, and continued its dominance in 2020… which is where I will pull my movie recommendation. Hillbilly Elegy tells the true story of real working class Americans and their struggle for survival in towns long forgotten by the broader public. You’ll see lives and relationships shredded by drug addiction, the struggle of single parents trying to play the part meant for two, and how life can feel hopeless when you’re drowning in life’s struggles. But the reason why I am recommending this film isn’t for the depiction of real life struggles, but for how the characters are able to overcome them. With the help of family, the power of forgiveness, and the guiding hand of faith, Hillbilly Elegy will show every viewer the possibilities of a better life when you begin to take responsibility for it. Easily my favorite movie of the year, I unequivocally recommend watching Hillbilly Elegy on Netflix.

CJ Marshall: Pixar has maintained such a high standard over the years. Their projects are mostly varying degrees of “Good” rather than good or bad. Soul is no different. The film already had wit, charm, and an authentic Black culture flavor coursing through its veins (Spider-verse anyone?) Who could know what significance its message would carry going into a year like the one just past? Soul carries that added weight because of how sturdy Pixar built its foundation. It should rightfully take its place as one of the jewels in the Pixar crown. My single regret is that I couldn’t see this film on the big screen in 3D.

Parker Johnson: 2020 was a tough year for all of us, and The Personal History of David Copperfield was a perfect, charming movie to come out during this trying time. Dev Patel shines as David Copperfield, and this colorful cast brought this delightful pseudo-biopic of Charles Dickens to life in such a heartfelt way. Like Little Women (2019) and Emma. (2020) before it, The Personal History of David Copperfield was a perfect blend of wit, charm, and warmth that should delight anyone… as long as you don’t confuse it for David Copperfield the magician, like my mom did.

Rachel Ogden: The near impossible task for sequels is to find a way to provide the protagonist with new obstacles and growth without losing the character’s identity that made them cheer-worthy in the first place; in essence, changing the character without changing the character. Though it will draw dissent, I say Wonder Woman 1984 does this perfectly. Gal Gadot continues to amaze as a dynamic woman and superhero that even villains want to be like. The movie’s 150-something minutes follow three different character arcs that are integrated into a simple yet powerful plot that I found both well-written and engaging. What does it mean to be great? Both the message and material of the film serve as a satisfying answer, even if it’s not a popular one. Don’t let the haters get you down.

Rachel Wagner: Tomm Moore is perhaps the most consistent and underrated director working today. He already had triumphs in The Secret of the Kells and Song of the Sea and now he dazzles audiences once again with Wolfwalkers. Not only is the 2D animation beautiful but the story of 2 girls coming to understand their connection and who they are rings true. I love the way Moore weaves in his Irish lore into his stories without feeling the need to over-explain what is happening. We are charmed by both girls and that’s enough to get us invested in whatever fantastical challenges and adventures come their way. I also loved the music by Bruno Coulais and Kila. It all combines to make a special film that we are not likely to forget. Watch Wolfwalkers on Apple TV+ as soon as you can!

Sam Cooley: What’s crazy about The Invisible Man (2020) is that it came out before COVID blew up, but it still came and went nearly… invisible to audiences. But it is so deserving of all the attention and praise it can get. Between a chillingly unique premise of abuse and deception, subtle works in suspense and terror, and another expert, almost exhaustive performance from Elisabeth Moss, this is confidently endorsed as one of the best films of the year. Though its namesake is a classic, the most it has on the 2020 version is originality, but even then, 2020’s new and fresh version still approaches surprisingly close in that regard.

Shay Satmary: Palm Springs was definitely the movie of 2020 that I told everyone I know to watch immediately after I watched it. It’s one of those movies where the less you know about the plot, the better it is to watch. What you do need to know is that it does a cracking job of summing up the feelings and aesthetics of most people’s 2020. It also stars a hot, understated Andy Samberg, à la Celeste & Jesse Forever,  and Cristin Milioti from Black Mirror. Along with invoking specific 2020 feelings and wonderful acting, Palm Springs will make you laugh out loud, and if you’re a sucker like me, you’ll end up crying too. 

The Formal Review: Research has shown that there is an appeal of rewatching movies because of the familiarity of characters, settings and plots–and Tenet exemplifies this. Nolan uses numerous scientific theories, and the ROTAS palindromic square, in a very ambitious and ingenious way. He is able take those ideas and stage them via action sequences that run backward and forward through time simultaneously. Yes, it will require multiple viewings, but that is in no way a bad thing. Each time will allow for new details to be discovered and will increase the appreciation for this movie. It is in the top tier of Nolan films. Complex? …sure, but phenomenal as well.

Thank you for your support of Backseat Directors this last year. It ended up not being the most ideal year to launch our new movie website, but we’ve made it out alive! May this new year be better than the last. Happy 2021, everyone!

ROUNDTABLE REVIEW: Tenet

*Editor’s note: Today’s review will be the first of its kind on Backseat Directors. Since our writers’ opinions of TENET varied quite a bit we decided to give each of them an opportunity to share their experience and thoughts of the movie. Each writer was given one paragraph to share their quick thoughts. For a more in-depth (spoiler-filled) discussion of TENET, go listen to Ep. 113 of the Backseat Directors Podcast.

Warner Bros. Pictures | Rated: PG-13 | Run Time: 150 minutes | Director: Christopher Nolan

Parker Johnson: One thing that made the movie so enjoyable for me was seeing Kenneth Branaugh as a villain. Most of the time I’m used to either seeing him as the protagonist, a mentor figure, or Gilderory Lockheart. I was impressed by the range of emotions his character went through, and how his character genuinely believed he was in the right–even in the act of doing awful things. There’s one scene in the movie where he flies into a rage that made me more tense in a movie then I’ve been for years. Bravo sir, bravo. 

Recommendation: Go See It!

Rachel Wagner: There will be some people who try and paint those of us who did not enjoy Tenet as simpletons unwilling to embrace risky filmmaking. I would ask those people to consider what their own basic demands for a film are? For me, it’s engaging characters, interesting story, and coherent dialogue. Tenet failed at all 3 of these requirements. The characters for the most part were flat with little backstory or depth to their roles. The story was difficult to follow and overwhelmed by a loud blaring score and very choppy editing, and the dialogue was frequently unintelligible. If I literally can’t understand what the characters are saying because of the bizarre sound mix choices it doesn’t matter how great the visuals and action are. In fact, it only makes me more frustrated that such craft and spectacle is wasted in a self-indulgent slog. I have always been a fan of director Christopher Nolan, even in his more divisive films like Interstellar (2014) or The Dark Knight Rises (2012), but he deliberately made choices in Tenet to ostracize his audience from the picture and make it an overall unpleasant experience. Especially having such a yearning for a big blockbuster on the IMAX I wanted to love what he offered in Tenet, but I did not.

Recommendation: NO GO

The Formal Review: Nolan uses numerous scientific theories and the ROTAS palindromic square in a very ambitious and ingenious way. He is able take those ideas and stage them via action sequences that run backward and forward through time simultaneously. Cinematographer Hoyte van Hoytema gives some amazing scenes that make a James Bond film look low key. Ludwig Göransson’s score is very Hans Zimmer like, and it is a thunderstorm. The film has Nolan trying to outdo the espionage film genre by making his own filled with speedboats, glamorous locations, and a lot of crisp suits. Each actor does a good job at playing their roles with Washington and Branaugh being the standouts. The former is able to be like his father while also establishing himself as a lead man. The latter is no surprise as he is a Shakespearean actor and he can do almost any role. The film does have some issues with dialogue being muffled and it feels too short for the complexities it tackles. This can make the film feel confusing, and maybe subtitles would have been beneficial. The character development and Nolan’s treatment of his female characters could be better. For better or worse, this movie has Nolan trying to outdo himself, and each viewer will decide if he is successful. In short, it is in the top tier of Nolan films; go see it! The best experience would be in a theatre with the best audio possible like Dolby Cinema. Any other thoughts would involve spoilers and a full analysis will be coming later.

Recommendation: Go See It!

Rachel Ogden: With Hollywood plagued by a one-time-watch epidemic, director Christopher Nolan has created something you can’t possibly grasp without multiple viewings. Every choice is a gesture of faith in the audience; faith that we will do our best to keep up and that we’ll come back for more. The dialogue moves as fast as John David Washington runs, and the content is cerebrally ambitious without losing the thrill of the ride. Rather than be intimidated, I think you should be excited; just don’t get hung up on what you don’t understand and enjoy what you do. Though I’m only on my first viewing, I wouldn’t be surprised if TENET became my favorite Nolan movie.

Recommendation: Go See It!

André Hutchens: As it goes with every Christopher Nolan film (it seems), TENET was one of the most, if not THE most highly anticipated film of 2020. Coronavirus pandemic be damned, there was no stopping this film from debuting in actual movie theaters, and allowing audiences worldwide the opportunity to experience the latest Nolan film the way every Nolan film should be experienced. Perhaps his most complex and intellectually challenging movie yet, Nolan has crafted a unique and bold movie that will be discussed in social circles for months (and maybe years) to come. TENET presents time-travel like no other movie before it, which will require the intent concentration and focus of its audience. John David Washington is a star in the making, and Robert Pattinson’s role only helps to build my excitement for his next project as Bruce Wayne in The Batman (2021). Other than a few scenes that really struggled to properly sound mix the audio and I was unable to understand the dialogue, this movie is a must see in theaters. See TENET in IMAX if you can; this movie deserves that kind of spectacle.

Recommendation: Go See It!

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