HBO Max

ROUNDTABLE REVIEW: Zack Snyder’s Justice League

Editor’s note: The moment is finally here… Zack Snyder’s Justice League is set to debut on HBO Max at 12 AM PDT, March 18. Years of fan campaigning and constant social media clarmor has delivered what tens of thousands of people worldwide have been asking for; the mythical “Snyder Cut” is finally here. If you’re unfamiliar with the story of the #ReleaseTheSnyderCut movement, polish up by reading this article here. The Snyder Cut of Justice League is perhaps the most infamous and relevant story of the collective power of fandom ever told. Whatever your thoughts and feelings are toward Zack Snyder and his movies, it’s hard to dismiss the #ReleaseTheSndyerCut movement as anything short of historic. We had the pleasure of receiving screenings for two of our writers here at Backseat Directors, so this will be a mini version of our normal roundtable reviews. We hope you enjoy what they have to say about this legendary movie.

Superheroes in Zack Snyder’s Justice League head straight on into battle against cosmic foes. | HBO Max Original (2021).

CJ Marshall: The Snyder Cut is good. Compare it to the previous version and it’s a masterpiece. It’s audacious, with a mythic quality that feels more on par with a fantasy epic than your average cape flick. I can’t say it’s enough to convert the naysayers. Justice League is Snyder with carte blanche. You have to sit through the slow-mo and the idol worship to get to the brilliance. Satisfied as I am with Zack Snyder’s Justice League, I don’t need more. This puts a big, beautiful, four hour bow on his offering to the DCEU and he can ride off into the sunset with full vindication (if he ever even truly needed–or wanted–it). Still, I find myself wondering what might have been.

It’s baffling that Warner Bros. chose what we received in theaters over the original vision. The trajectory of the DCEU might still be climbing instead of the peaks and valleys we’ve seen thus far. I’ll even go so far as to claim that this older, better JLA film makes Man of Steel and Batman v Superman better by association. It shows the decisions, whether you find them poor or not, were done with a clear plan in mind. I don’t worry about the precedent this sets with the fandom at large. People are fooling themselves if they think this wasn’t anything more than a stunt to nab subscribers for HBO Max. I just don’t think anyone realized just how good it was going to turn out. Love it or hate it, Zack Snyder’s Justice League is historic.

Recommendation: STREAM IT

DC Comics’ greatest heroes join forces like never before in Zack Snyder’s Justice League. | HBO Max Original (2021).

Parker Johnson: The DCEU opened in 2013 with the first teaser trailer for Man of Steel, as temp music from The Lord of the Rings: the Fellowship of the Ring played alongside the voice of Jor-El telling his son that, “[he] will give the people an ideal to strive towards. They will race behind [him]. They will stumble, they will fall- but in time they will join [him] in the sun. In time, [he] will help them accomplish wonders.” I sat there in the theater as a young man, simply awestruck. Here was something different than what we had ever gotten before in the superhero genre. Something epic, something beautiful, something inspiring. Seven years later, I now have the privilege of watching Zack Snyder’s Justice League, and as the end credits rolled, I am struck with that same feeling of awe. With the wildly popular, entertaining, and successful episodic formula of the MCU, it was hard for casual fans and studios alike to imagine Snyder’s vision of a 5 film arc for our favorite heroes. With Justice League now restored to Snyder’s intended 4 hour drama, I now see where he was heading.

Those who complained about the weight and somberness of the previous Snyder-verse films will be happy to know that the hope and optimism that they craved is now starting to emerge in the story as our characters reflect on the impact Superman had on their world, fulfilling Jor-El’s declaration. I haven’t seen a trilogy of films (Man of Steel, Batman v Superman, Zack Snyder’s Justice League), with the same scale of epicness, hope, and faith in humanity since The Lord of the Rings trilogy. Snyder has given us our modern day mythos–drawing from the comics, older mythologies and theology (specifically Christianity) to give us stories that inspire us to live up to our potential. It is a miracle that this movie got to see the light of day, and I believe people are going to love it. I was captivated for the full 4 hours, and I want to see the story continue to complete its five film arc.

#RestoreThe Snyderverse.

Recommendation: STREAM IT

REVIEW: Judas and the Black Messiah

Warner Bros. Pictures
Rated: R
Runtime: 126 minutes
Director: Shaka King

*If you are not familiar with the true story of Fred Hampton and Bill O’Neal, the following review will contain some spoilers for the movie.

Judas and the Black Messiah is a biographical drama film directed and produced by Shaka King, from a screenplay written by King and Will Berson. It is based on a story by King, Berson, as well as Kenny and Keith Lucas. It stars Daniel Kaluuya, Lakeith Stanfield, Jesse Plemons, Dominique Fishback, Ashton Sanders, Darrell Britt-Gibson, Lil Rel Howery, Algee Smith, and Martin Sheen. While the story is seemingly about Hampton (Kaluuya), the film concentrates on William O’Neal (Stanfield) who was essentially forced to work for the FBI to infiltrate and spy on the Chicago chapter of the Black Panther Party. O’Neal eventually became the organization’s chief of security and then supplied the floor plan of the building where Hampton was staying. This led to a raid in which Hampton was killed. 

Kaluuya as Hampton gives an electrifying performance that is as riveting as the man himself. His delivery of the speeches are intense and have conviction. What the film does extremely well is show how Hampton had an ability to bring potential enemies and rivals together. He knew that there was strength in numbers and that they could turn heads to their ideas if they came together. The title is an allusion to former FBI director J. Edgar Hoover’s statement that they, “…must prevent the rise of Black Messiahs.” In Hampton’s case, they did so by enlisting O’Neal, a “Judas,” to infiltrate and betray him. This obviously ties into the biblical story when Judas betrayed Jesus for thirty pieces of silver to Pontius Pilate which led to Jesus’s crucifixion and Judas’s suicide. This film makes Judas the lead character and Stanfield does a fantastic job. The film doesn’t absolve O’Neal for his part in killing Hampton; rather, it humanizes him. Stanfield plays a conflicted man who wants to dedicate himself to the cause of Black liberation but also does not want to go to prison. Our natural inclination might be to vilify O’Neal for killing Hampton, but the film shows reasons to sympathise and how we might learn from his mistakes. Tragically, O’Neal also took his own life, again aligning himself to the biblical Judas. 

Outside of these two men, the supporting cast is strong as well. Plemmons is great, with the best performances coming from Fishback as Deborah Johnson. The film really shows how big of an impact women had to the Black Panther organization. Fishback is fleshed out extremely well and her relationship with Hampton indicates that Johnson was a strong woman who wants to stand with Hampton but also will tell him when he isn’t as good as he could be. Fishback hits every note perfectly and is as charismatic as Kaluuya. Their chemistry makes the final tragic moments of the film even more painstaking.

Daniel Kaluuya stands surrounded by fellow Black Panthers as he sets to give a speech in a scene of Judas and the Black Messiah | Warner Bros. Pictures, 2021.

The film does have a few issues with its historical accuracy of certain details; O’Neal has stated it was fairly easy to get close to Hampton where the film says it was difficult. The writers also took some liberties regarding O’Neal’s relationship with Mitchell. Hampton and O’Neal are not accurately represented in the film as the former was 21 and the latter was 17. Stanfield and Kaluuya are 29 and 31, respectively, which may seem a little jarring as neither actor feels the age that the two men really were.

Additionally, in real life, Hampton did open his eyes when the building was raided but still keeps this scene simple. Instead of a big climactic scene with FBI agents running in guns blazing, the film shows him sleeping. By keeping Hampton sleeping when he is killed, (whether intentionally or unintentionally) the film seems to parallel Fred Hampton’s murder with the infamous killing of Breanna Taylor in 2020. The final flaw is in showing how the FBI was involved. Though purposeful, it can take away a little from the film’s overall pacing.

Judas and the Black Messiah succeeds with its story, the acting, the ending, its message, and the majority of its details. The performances by the entire cast alone is reason enough to watch this movie multiple times. The film highlights how citizens can be manipulated or influenced to turn on their fellow citizens with use of propaganda and other tactics. Will society continue to allow this to happen or will they stand up and fight? That is up to the viewer to decide.

Judas and the Black Messiah was released in theaters where theaters are open, and is available to stream on HBO Max.

Recommendation: STREAM IT

REVIEW: The Little Things

Warner Bros. Pictures
Rated: R
Runtime: 127 minutes
Director: John Lee Hancock

“It’s the little things that are important. It’s the little things that get you caught.”

I don’t believe writer/director John Lee Hancock expected this line to have a meta element to it, yet here we are. I’ll yank the low hanging fruit out of the tree and say he should have followed his own advice. The little things are important in a film, especially in a murder mystery. It’s the lack of a little thing here or there that keeps The Little Things from being the major experience it should have been.

All of the elements are there on the presser kit. Hancock is a solid film maker and Denzel Washington is arguably the greatest actor of his era. Pairing them with talented thespians such as Rami Malek and Jared Leto should have been a winning play. Instead we get bases loaded and a full count heading into the end of the game. Oh yeah… and you’re down by one run. How you accept the film’s end is what will determine whether that last swing was a strikeout or the home run.

It’s not for lack of trying. The film is appropriately dreary and creepy, drenched in that Fincher-esque green tint that gives the film that icky serial killer vibe we’ve all appreciated since the seminal Se7en (and yes, I spell it that way because it earned it). Denzel gets to look and act his age while being a tortured soul to boot. He employs a physicality I haven’t seen in him before. His trademark swagger is buried under a mountain of regret and sleepless nights. Still, you can’t take your eyes off of him. Rami Malek is so pensive and understated in his role that he’s either given one of the great performances of his career, or he had no clue what he wanted to do with his character. I honestly can’t tell you which it is. Jared Leto came to party like he always does, and we all know that the only thing that stops Leto is a script. Saying anything further will spoil what awaits you.

Denzel Washington and Rami Malek in a scene of The Little Things | Warner Bros. Pictures, 2021.

I don’t know if I can recommend The Little Things as a theater experience. I think this one would go down smoother through HBO Max. If you’re a subscriber you’ve already paid for it anyway. I say that because I can say, without spoiling any plot points, that this movie isn’t what you think it’s going to be. The film defies expectation but doesn’t replace what you’re anticipating with a better alternative. It didn’t work for me because the characters aren’t given the opportunity to earn what Hancock is asking of the audience by the end of the film. It feels like a curveball when the moment called for some heat straight down the middle. 

It’s the little things that cost you the game.

The Little Things is showing in theaters where theaters are open, and is streaming on HBO Max.

Recommendation: Maybe a Matinee

Why You Should Support Physical Media

Showing off my 4K UHD Steelbook of Black Panther.

My film collection is now almost 800 movies strong, with 135 of those being 4K UHD discs, 524 Blu-rays, and 133 DVDs. Now, why do I collect? Why stay with physical media when Netflix has been broadcasting some content in 4K since 2014 and Amazon, Apple, and HBO Max now offer 4K content too? The reason is how the video and audio components are affected by streaming. In theory, these streaming services offer picture quality that is comparable to discs the latest in digital video disc technology. However, when the same movie compared on that versus a Blu-ray disc and a 4K disc, A/V enthusiasts at WhatHiFi.com found that the 4K streaming experience was actually more in line with watching a traditional 1080p Blu-ray—and that Blu-rays had a clear advantage in terms of contrast and color. However, 4K discs looked far better than either. They even compared audio quality and they found that streaming would get compressed Dolby Digital Plus.

Dolby Digital Plus has been around since 1992 and it has been on televisions since 1998. More advanced surround sound formats encode discrete sounds on different channels.This audio technology was mandatory on DVDs and is now mandatory to have at least this on Blu-rays, though, obviously at a higher level. When we watch movies at home either via streaming or disc, this audio can be experienced or lost either by your television speakers or your streaming service (dependent on your internet). This can reduce the movie watching experience. How this is prevented is through a number of lossless audio compression formats Dolby and DTS. While there are many out there who would state their preference, in turn have found they are fairly interchangeable. DTS Digital Surround is comparable to Dolby Digital, DTS HD Master Audio is comparable to Dolby TrueHD, DTS-X is comparable to Dolby Atmos. The latter two audio are currently the two best audio formats out there. The problem is that streaming reduces the high level audio down to the old technology. 

I recently updated my Star Wars collection from Blu-rays to 4K UHD. Thank goodness for Black Friday!

This is due to compression as the picture and sound information have to be processed in a way to send it over the internet. On top of that, the content has to be there. To get authentic 4K content on Netflix, one must pay for their premium subscription ($17.99/month) and then your internet needs to be able to handle it. Both Netflix and Disney+ say that at least 25 megabits per second is needed to stream UHD (ultra high definition) content, and Amazon needs at least 15 Mbps to watch videos in UHD. The two cheapest high speed internets for the most bandwidth in the US are Verizon and Comcast at $40 and $35/month, respectively. This will get you download speeds of 100mbps for Comcast and 200mbps for Verizon. However, this is only if the streaming device is hooked up directly to the router and wifi is about 70% as fast, at maximum. Additionally, there are more confounding factors such as the type of router and how many other devices are on the wifi–even if your streaming devices are up to speed and your internet is the best possible, there will still be some information lost along the way. Compression is inevitable. That’s not to say that streaming services aren’t useful and don’t have some real advantages. Streaming services do provide a deal when it comes to price, selection size, and ease of use. 

Ultimately, the streaming experience is more like channel surfing through many channels, especially now with almost everyone having their own streaming service. Using these services may be nice for the selection but that selection is determined by someone else. Netflix constantly removes content depending on the month and so does HBO Max. It all depends on licensing similar to that of cable channels running movies during the day. In the past, cable became so expensive to get access to movies and tv shows. This allowed Netflix to become popular. People didn’t enjoy having to pay for movies so this company created a way to only pay a monthly fee and you get as many movies as you wanted but one at a time. This led to their streaming services which had all people’s favorite shows. You could find everything on Netflix which was a game changer. Now, it may not be called “cable” anymore but it’s essentially the same thing.

Anyone that knows me knows that I am a huge Batman fan, especially the animated versions.

On top of that, Netflix announced in August 2020 that they were going to rencode all 4K, HDR and HFR titles in its catalog. They claim to be able to deliver the same quality 4K video at half the bitrate. They stated, “For members with high-bandwidth connections we deliver the same great quality at half the bitrate on average. For members with constrained bandwidth we deliver higher quality at the same (or even lower) bitrate.” Other advantages of the new approach include “higher initial quality,” and “fewer quality drops while streaming,” less buffering, and a reduction in “initial play delay by about 10%.” Also in October, Disney revealed that in order to further accelerate its direct-to-consumer strategy, it would be centralizing its media businesses into one entity that would be responsible for content distribution, ad sales and Disney+. This move was obviously done in response to the global coronavirus pandemic which crippled the theatrical business and pushed more viewers to streaming services. As of August 2020, Disney had over 50 million subscribers to Disney+ alone.

So with Netflix compressing their content and Disney moving towards streaming services, films have the potential to become less impactful due to streaming limitations. This makes physical media more and more important. Physical media has been shown to be the better, more pure way to view movies for a number of reasons including the audio and visual components. While there are some who disagree and say that physical media is a fad and that streaming is the more modern way to go, the questions about internet speeds, the content, and the technology surrounding streaming still remain. When Wonder Woman 1984 was released on HBO Max, director Patty Jenkins stated that it would be the first film on HBO Max to be in 4K Ultra HD, HDR 10, Dolby Vision and have Dolby Atmos. However, Warner Bros. hadn’t released any information about what internet speeds were needed for this. On top of that, some devices that should get 4K content such as the Xbox Series X were not able to get 4K; it was only on certain devices. This again shows that most likely the high end video and audio components of the movie are being limited by these streaming services and their technology. Even if you have the highest and most consistent bandwidth available, physical media holds the upper hand. The compression still happens, and thus streaming limits viewers from getting the true aspects of the film and seeing what the filmmaker intended. Furthermore, having the movies in the palm of your hand can give a more direct connection to the movie itself that can last a lifetime. Even if you hate the idea of physical media, you have to admit at some point that you are okay with getting a lesser quality film experience. Streaming may be cheaper and more convenient, but physical media is a more premium experience; which is why I support physical media, and you should too.

ROUNDTABLE RECOMMENDATIONS: A Look Back at Some of Our Favorite Movies of 2020

*Editor’s note: The year that seemed like it would never end has done the impossible… it’s actually over. 2020 has been a year unlike any other in our lifetime, and I think it’s safe to say that most of us are glad to see it go. Through it all, we have gained experiences and memories (both good and bad) that will shape our lives for years to come. Movies, and the lack thereof, might seem a trivial things when compared to the crushing challenges many faced in 2020; death, sickness, unemployment, school closures, social interactions etc. have all paid a heavy toll on societies around the world. Encouragement, hope, friendship and love are forms of strength that can be derived from stories, and as pillar of modern day storytelling, we want to share with you which movies we fell in love with in 2020 and wholeheartedly recommend to you. Enjoy!

André Hutchens: As bad as 2020 has been for the movie theater industry (and I only hope a speedy recovery for the industry), streaming services have never been more in demand. Lockdown mandates and social distancing policies have all but crippled movie theaters globally, but one industry’s tragedy is another industry’s triumph. And no streaming service has reaped the rewards more so than Netflix. With over 200 million subscribers worldwide, Netflix is the King of streaming, and continued its dominance in 2020… which is where I will pull my movie recommendation. Hillbilly Elegy tells the true story of real working class Americans and their struggle for survival in towns long forgotten by the broader public. You’ll see lives and relationships shredded by drug addiction, the struggle of single parents trying to play the part meant for two, and how life can feel hopeless when you’re drowning in life’s struggles. But the reason why I am recommending this film isn’t for the depiction of real life struggles, but for how the characters are able to overcome them. With the help of family, the power of forgiveness, and the guiding hand of faith, Hillbilly Elegy will show every viewer the possibilities of a better life when you begin to take responsibility for it. Easily my favorite movie of the year, I unequivocally recommend watching Hillbilly Elegy on Netflix.

CJ Marshall: Pixar has maintained such a high standard over the years. Their projects are mostly varying degrees of “Good” rather than good or bad. Soul is no different. The film already had wit, charm, and an authentic Black culture flavor coursing through its veins (Spider-verse anyone?) Who could know what significance its message would carry going into a year like the one just past? Soul carries that added weight because of how sturdy Pixar built its foundation. It should rightfully take its place as one of the jewels in the Pixar crown. My single regret is that I couldn’t see this film on the big screen in 3D.

Parker Johnson: 2020 was a tough year for all of us, and The Personal History of David Copperfield was a perfect, charming movie to come out during this trying time. Dev Patel shines as David Copperfield, and this colorful cast brought this delightful pseudo-biopic of Charles Dickens to life in such a heartfelt way. Like Little Women (2019) and Emma. (2020) before it, The Personal History of David Copperfield was a perfect blend of wit, charm, and warmth that should delight anyone… as long as you don’t confuse it for David Copperfield the magician, like my mom did.

Rachel Ogden: The near impossible task for sequels is to find a way to provide the protagonist with new obstacles and growth without losing the character’s identity that made them cheer-worthy in the first place; in essence, changing the character without changing the character. Though it will draw dissent, I say Wonder Woman 1984 does this perfectly. Gal Gadot continues to amaze as a dynamic woman and superhero that even villains want to be like. The movie’s 150-something minutes follow three different character arcs that are integrated into a simple yet powerful plot that I found both well-written and engaging. What does it mean to be great? Both the message and material of the film serve as a satisfying answer, even if it’s not a popular one. Don’t let the haters get you down.

Rachel Wagner: Tomm Moore is perhaps the most consistent and underrated director working today. He already had triumphs in The Secret of the Kells and Song of the Sea and now he dazzles audiences once again with Wolfwalkers. Not only is the 2D animation beautiful but the story of 2 girls coming to understand their connection and who they are rings true. I love the way Moore weaves in his Irish lore into his stories without feeling the need to over-explain what is happening. We are charmed by both girls and that’s enough to get us invested in whatever fantastical challenges and adventures come their way. I also loved the music by Bruno Coulais and Kila. It all combines to make a special film that we are not likely to forget. Watch Wolfwalkers on Apple TV+ as soon as you can!

Sam Cooley: What’s crazy about The Invisible Man (2020) is that it came out before COVID blew up, but it still came and went nearly… invisible to audiences. But it is so deserving of all the attention and praise it can get. Between a chillingly unique premise of abuse and deception, subtle works in suspense and terror, and another expert, almost exhaustive performance from Elisabeth Moss, this is confidently endorsed as one of the best films of the year. Though its namesake is a classic, the most it has on the 2020 version is originality, but even then, 2020’s new and fresh version still approaches surprisingly close in that regard.

Shay Satmary: Palm Springs was definitely the movie of 2020 that I told everyone I know to watch immediately after I watched it. It’s one of those movies where the less you know about the plot, the better it is to watch. What you do need to know is that it does a cracking job of summing up the feelings and aesthetics of most people’s 2020. It also stars a hot, understated Andy Samberg, à la Celeste & Jesse Forever,  and Cristin Milioti from Black Mirror. Along with invoking specific 2020 feelings and wonderful acting, Palm Springs will make you laugh out loud, and if you’re a sucker like me, you’ll end up crying too. 

The Formal Review: Research has shown that there is an appeal of rewatching movies because of the familiarity of characters, settings and plots–and Tenet exemplifies this. Nolan uses numerous scientific theories, and the ROTAS palindromic square, in a very ambitious and ingenious way. He is able take those ideas and stage them via action sequences that run backward and forward through time simultaneously. Yes, it will require multiple viewings, but that is in no way a bad thing. Each time will allow for new details to be discovered and will increase the appreciation for this movie. It is in the top tier of Nolan films. Complex? …sure, but phenomenal as well.

Thank you for your support of Backseat Directors this last year. It ended up not being the most ideal year to launch our new movie website, but we’ve made it out alive! May this new year be better than the last. Happy 2021, everyone!

REVIEW: The Witches (2020)

Warner Bros. Pictures
Rated: PG
Run Time: 105 minutes
Director: Robert Zemeckis

 We’re in a really weird moment in history where film companies are in a dilemma of whether to release films, once intended for movie theaters, onto streaming platforms, or to wait it out until coronavirus restrictions are lifted and more people are willing to go back to the movies. The Witches (2020) chose to release around Halloween on HBO Max. As I was already planning to watch as many spooky films as possible during this festive month, I became interested in watching this one. Being an HBO Max subscriber helped as well.

Disclaimer:  I have not seen the original 1990 film with Anjelica Huston, and while I have read the Roald Dahl book, It was in elementary school and I don’t remember enough of it to compare it to the 2020 film. So, this will be a review of the 2020 film on its own.

What I Thought

Ok, I lied. I’m gonna bring up the 1990 film just a little bit. Before I took the time to watch the film I was surprised to see that there was a large amount of negative reviews pouring out, which had me going into the film with a preconceived bias. About a third of the way into the movie, I finally stopped trying to look for faults and just enjoyed the fun story. From what some critics were saying, the 1990 version had a darker tone, and more serious take to the story. I personally love dark and creepy children’s films, and find it so fascinating to see how they can make a movie frightening without relying on the gore and violence meant for more mature audiences. It seems like the 2020 version went for a less creepy and more family-friendly approach.

Now, just because it’s family-friendly doesn’t mean it’s not creepy at all. This is a movie about witches after all. Anne Hathaway’s performance as the Grand High Witch is truly entertaining to watch, and when she unleashes her true evil it is quite creepy. I was reminded of Bill Skarsgard’s performance as Pennywise the Dancing Clown–just with a Russian accent. When she reveals her true form, she reveals a wide smile filled with teeth just like Pennywise in IT (2017).

Jahzir Bruno, Octavia Spencer, and Stanley Tucci in a scene of The Witches | Warner Bros. Pictures.

I did have some issues with the CGI mice at the beginning part of this film, which I eventually got over. It was really fun seeing Octavia Spencer in the role of Grandma. She comes off as both hilarious, fierce, and kind. Codie-Lei Eastick was absolutely hysterical to watch as Bruno, and seeing his character’s interactions with “Hero Boy” and Daisy/Mary was just so much fun. And I think that’s the main difference between this film and the 1990 film (I assume). The 1990 film was known for its practical effects and its ability to scar children for life. The 2020 is meant to be a fun and spooky family film. And if you’re looking for that this season, then The Witches (2020) is a perfect movie for you and your kids.

I originally went into this film feeling influenced by the negative reviews, and ended up having a great time. The acting is great, the CGI (while not the best I’ve ever seen) is perfectly capable for what type of movie this is, the plot is fun, and the characters are all very likeable. If you are in the mood for a spooky, family-friendly film this fall, I’d say give The Witches (2020) a chance!

Recommendation: STREAM IT

REVIEW: An American Pickle

HBO Max
Rated: PG-13
Run Time: 89 minutes
Director: Brandon Trost

Rogen, Rogen, and Pickles…

Like so many movies lately going straight to VOD or streaming channels, An American Pickle felt like it came out of thin air and with very little hype preceding it. That’s life as we know it for the time being. Though this flick has its faults, I’m particularly delighted at its spontaneous arrival. Even though I watched it far from a movie theater in a basement bedroom with intrusive outdoor lighting, this movie felt well done enough to bring me back to a small sense of normalcy, and I appreciated that!

From the drawing boards of Seth Rogen, Evan Goldberg, and Brandon Trost who have worked together near exclusively on past films and tv series, comes a movie that feels a bit whimsical and aimless at times (even compared to some of their other stoner buddy comedies), but makes for an almost lighthearted Black Mirror episode. With every moment that the plot is actually progressing, there’s some curious insight into generational ideals, ethics, and abilities and what might happen if the wrong generation clashed with our current times. Connected with that is some heartwarming commentary on family relationships and honoring family tradition, which really turns out to be the main point.

So when I talk about the movie being a bit laughable, it mostly falls to this premise: Seth Rogen plays an early 20th century Jewish immigrant that comes to New York and is accidentally preserved in a pickle factory for 100 years. When he is awakened, he tries to connect with his now great grandson (also played by Seth Rogen, though more familiar), and the dramatically changed world around him. Yeah… this movie has the synopsis to make it sound like it came out in the early 90’s when everybody thought that all the non-ridiculous ideas were all taken. I say this, but there’s a common trend among a lot of those far-fetched flicks, in that they become subtle classics. I think this happens when the movie manages to be somewhat self aware and still has the ability to connect the absurd plot and characters to real human emotion. Kindergarten Cop (1990) does this for me everytime, and after watching An American Pickle, I think this will likely fall in that category.

Seth Rogen and…Seth Rogen in a scene of An American Pickle | HBO Max.

That isn’t to say that An American Pickle doesn’t have some real flaws. The film has some poor pacing between the prologue, the introduction of the main conflict, and the resolution. The laughs are there, but maybe at times, a little too far in between. And to be honest, the plot really is just so distractingly ridiculous (I know I may have already beat this to the ground). I somewhat let these things slide in the end, but I want to prepare everyone: this may not be at the same level of quality that you’re used to with a Rogen/Goldberg produced comedy.

That being said, this may be one of the more thought provoking movies these men have ever brought forward. Firstly, in most movies they’ve made there’s been quippy and overlooked dialogue on Jewish culture (them both being Jewish), and I’m glad that they seemingly embraced that aura for this movie. It’s almost a love letter to their family tradition, and that alone is enjoyable. But it goes further to ask questions like, how much blame do we put on other generations for the morals that were thrust upon them by the society of their time? How much more industrious and driven were these other generations than us having gone through subjectively worse economical conditions? Would they outdo us if they were put in our working classes today? Would we make them proud with who we’ve become?

I would say that my final opinion aligns pretty heavily with Rotten Tomatoes: just above average. I’ll probably bump into it on a sick day in five years and give it a revisit. And I’ll likely enjoy it for the reasons stated above, but I’m definitely not going out of my way to make sure this happens. And it’s not going on any favorite list. You get the idea; this movie’s most likely worth at least a single watch. Find it on HBO Max!

Recommendation: STREAM IT

Zack Snyder Announces His Long Desired Cut of ‘Justice League’ and the World Reacts

Justice League (2017) | Warner Bros. Pictures

Wednesday, May 20 will be a day long remembered by fans of Zack Snyder and the DC Extended Universe (DCEU). For over two years now, fans of Zack Snyder and his vision of the DCEU have been advocating for the release of Zack Snyder’s cut of Justice League, and they finally got their answer this morning. In a live stream watch party of Man of Steel (2013) on VERO, director Zack Snyder gave the announcement himself. We will walk you through the days leading up to this event, the announcement, and then the reactions from fans everywhere.

Let’s back it up a bit and start at the beginning. For some of you readers who might be unfamiliar with the #ReleaseTheSnyderCut movement online, it all began with this single tweet from user @MovieBuff100 only 4 days after the worldwide release of the theatrical cut of Justice League in 2017:

Ever since this tweet, #ReleaseTheSnyderCut has become a rallying cry for supporters of Zack Snyder and his original vision of the Justice League movie. When leaks began to surface online regarding the troublesome production and reshoots of Justice League (director Zack Snyder being replaced by Joss Whedon), and that much of the actual film seen in theaters was not what Snyder and Co. had filmed, fans of Snyder began to organize, using this hashtag as their rallying cry. Unelected leaders took the reigns and created the #ReleaseTheSnyderCut Twitter account, all dedicated to the promotion of Snyder’s Cut of Justice League, and the education of those unfamiliar with the movement:

As the #ReleaseTheSnyderCut movement grew, the online support began to transcend the social media arena, and fans really put their money where their mouths were. Billboards, bus stop posters, and banners flown from planes during the 2019 San Diego Comic Con were all organized by Snyder fans to show their support of the filmmaker, dubbed #ProjectComicCon, and to make a public statement to Warner Bros. that there were indeed many fans who wanted to see the ‘Snyder Cut’ of Justice League:

https://twitter.com/willrowactor/status/1152725215937519618?s=20

Money from fans all over the world was donated to make these banners and billboards come to life, but the fans didn’t stop there. Half of that same money raised for these signs was donated to the American Foundation for Suicide Prevention, in honor of Zack Snyder’s daughter, Autumn, who died by suicide during the post-production of Justice League back in 2017:

https://twitter.com/willrowactor/status/1154508985384370176?s=20

After the success of #ProjectComicCon, fans moved their attention to creating awareness of their cause at the 2019 New York Comic Con. Once again, thousands of dollars were donated from fans all around the world, and organizers were able to purchase screen time on a billboard in Time Square:

At this point a lot of steam was building behind the movement, and people were beginning to take notice. Bloggers, big media outlets, and even Zack Snyder himself gave their attention to what these fans were doing. The stage was now set for the second anniversary of the theatrical release of Justice League; the time was ripe to make a huge statement to Warner Bros. that the #ReleaseTheSnyderCut movement was to be taken seriously, and that they were here to stay. On Sunday, Nov. 17, 2019—a day that will be long remembered as a key turning point in the #ReleaseTheSnyderCut movement—hundreds of thousands of fans and supporters across the globe rallied to make the hashtag “trend” on Twitter—and trend it did. The real turning point was when Wonder Woman, Batman and Snyder all joined in to tweet their support of the ‘Snyder Cut’:

On March 28, 2020 Snyder announced on VERO that he was going to host a live streaming watch party of Batman v Superman: Dawn of Justice on Sunday, March 29 and would include director’s commentary on the movie.

At the end of the live stream, Snyder teased his audience with a cliffhanger message shrouded in mystery. Check it out below:

Now we’ve arrived at Monday, May 18, 2020. Snyder announces another live streaming watch party of his 2013 film, Man of Steel, on VERO. It is now the morning of Wednesday, May 20, and rumors all over the internet are swirling about what could come out of this watch party hosted by Snyder:

If you are interested in reading a recap of the entire director’s commentary, and want to save some time without watching the three-hour VERO stream, check out the Twitter thread posted by the Backseat Directors‘ Twitter account:

Both Zack and Debbie Snyder were in attendance on the VERO stream, providing commentary on the making and production of Man of Steel. As the movie began wrapping up, fans online began to get anxious, wondering if Snyder would actually reveal any news regarding his ‘Snyder Cut’…

Until Superman himself showed up:

Henry Cavill (who has been noticeably quiet about the #ReleaseTheSnyderCut movement) dropped in on the VERO stream to everyone’s surprise:

As Cavill and the Snyders continued their conversation, more people began to pop up on the VERO stream. Fans and supporters of #ReleaseTheSnyderCut were invited to participate in a chat and ask the Snyders questions. The very last question was asked by Twitter user @CaresDaniella regarding the ‘Snyder Cut’ and when we would all be able to see it:

The moment the entire internet had been waiting for had finally come. No more beating around the bush; no more sugar coating; Zack was asked clearly and directly, and here was his response:

Yes! It finally happened. Zack Snyder officially confirmed the release of his cut of Justice League, set to debut on HBO Max in 2021, with the official title being, Zack Snyder’s Justice League (very appropriate, in my opinion):

Years of hard work, dedication, and a love of the Snyders came pouring out all at once in a flood of tweets for so many that had a hand in this movement. Here are just a few:

The journey of the #ReleaseTheSnyderCut movement has been full of ups and downs, hard fought battles, hundreds of thousands of dollars donated to both the cause and to AFSP, and years of hoping and waiting. These fans will see their dreams become a reality in 2021 when Zack Snyder’s Justice League debuts on the shiny, new Warner Bros. streaming platform, HBO Max. And for the Snyders, a sense of joy and vindication has to be swelling within them. Debbie and Zack suffered an unthinkable tragedy during the making of Justice League, and in many ways this is sure to feel like the ending to a chapter left unfinished.

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If this entire experience (which is sure to be made into a documentary at some point) can be summed up in a single word, I think the most appropriate would be ‘hope.’

“What’s the ‘S’ stand for?”

“It’s not an ‘S’. In my world it means HOPE.”

If you’d like to watch the entire VERO live stream of Man of Steel, with director Zack Snyder, the link has been posted below.

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