There’s just nothing like a good court room drama. If you’ve set it up right and created colorful characters, it can be the perfect storm of emotional pay-off and problem-solving. Some manage to explain the mechanics of the law so well and so thrillingly that lay people like myself get a false feeling that we understand the law better than those who spend years studying it. The best ones have me thinking that it’s my destiny to go to law school, change the world, and look good while doing it. Such was the effect of The Trial of the Chicago 7. There’s a lot of context and a lot of set-up, but if you’ve been paying attention, the magnetism of the second half will have you glued to your screen. Aaron Sorkin both directed and wrote the film, as he did with his directorial debut Molly’s Game (2017), which was one of my favorites from that year. His fast-fire dialogue and endless exposition provide engaging entertainment through weighty subject matter, though at times it feels heavy-handed. It will definitely appeal to fans of his previous works, A Few Good Men (1992) and The Social Network (2010).
Even if you are suffering from political fatigue, you have to see this movie just to take in the characters. It’s hard for me to pick a favorite from such an extremely talented group, as even supporting characters with sparse lines are memorable and incredibly engaging. Sorkin’s talent for presenting opposing sides and yet making both sympathetic is on full display. The Chicago 7 (plus Bobby Seale, played by Yahya Abdul-Mateen II) make for a fascinating group; though under the same charges, their different backgrounds, followers, and agendas make for compelling conflict as they interact with each other. What appears one dimensional is slowly fleshed out and made into real, more rounded people, though certainly creative liberties were taken with history to produce an entertaining, inteligible tale. As long as you remember that you are watching a movie, I don’t think those stylistic changes should bother you.
This stellar Aaron Sorkin script brought to life by an all-star cast is definitely a Hollywood home-run. I have no doubt it will be a big dog at the awards circuit, but I also believe it has the potential to be the film that brings Netflix its first Best Picture Oscar. Certainly, the timing of its release is no coincidence, as it’s evident that producers had both an election and an awards season on their minds. Viewing it in the context of our current climate is especially insightful and affecting. It’s hard to say whether it will have the staying power of 12 Angry Men (1957) and To Kill a Mockingbird (1962), but I do think it’s one of the most socially relevant viewings you’ll have this year. And even if it doesn’t convince you to go to law school, I hope that once the pixie dust wears off you’ll still want to make a difference.
Recommendation: STREAM IT