Alright, so Freaky! Unfortunately, this review wasn’t ready in time for Halloween (which is totally understandable considering the circumstances), and because of that, it may have gone overlooked. But here comes another surprisingly decent horror remake of a classic movie plot element. From the same director and movie studio that brought us Happy Death Day (2017), but instead of a reimagining of Groundhog Day (1993), you might have already guessed it: this is a horror revision of Freaky Friday (1976).
I think the twist on the plot by itself was enough to get me more than interested in seeing it. Instead of a mother/daughter switch for a day, it’s serial killer/victim. The concept is honestly a great idea, in my opinion. The kind of idea that you think you could’ve thought of yourself but failed to do so in time. Furthermore, the comedy that comes from a serial killer being stuck in a 17 year old girl’s body, and vice versa, really makes for some genuine laughs.
I usually am not out-of-my-way stoked about Vince Vaughn leading a movie, but the highlight of the film ends up being the lead actors’ performances, which also includes Kathryn Newton.
Despite any potential flaws I mention, I was able to stay engaged throughout the entire duration. I did not feel obligated to finish this movie just because I had to write a review, but was really anxious to watch the whole thing. For me, that makes the movie qualify as a worthwhile watch. If any movie can generate this much interest off the bat, and then maintain that interest through the hour and a half runtime, it deserves a seat at the table. In the end, it’s definitely a 2020 horror highlight (which I guess wasn’t too hard to do since the competition was scarce).
Now, much of the movie shouldn’t be held to a high standard of originality, but the writers often are too tempted to not play into some exhausted horror tropes to progress the plot. One of the more egregious is creating absolutely disposable characters. The kinds where a horribly violent death doesn’t faze the viewer as much, because the victims are such unrealistic scumbags. Examples include extraordinarily unashamed, non-virtual high school bullies, borderline abusive teachers, and the creepiest jocks you’ll ever see. Then again, the whole movie really is shockingly violent, so maybe this tactic works well for most people. Speaking for myself, it was a tad bit forced.
Some of the acting is a bit crummy. The delivery of lines from a lot of these side characters (who are often very young actors) gets distracting. There’s also a noticeable shortage in extras, which was maybe due to Covid. I’m not bashing on that, but it’s interesting to notice how they try to adapt from that.
I guess if I could wrap up my view on this movie’s weaknesses: It’s often formulaic, but the frustration comes when you realize that it really didn’t have to be.
Now, I do have to go off for a second. The most unfitting scene in the movie is when the love interest (who’s an underage kid) passionately kisses Vince Vaughn… I mean sure, there’s “an underage girl trapped inside the character” but oooooof, that scene was weird. It’s a very bold move by the writers. The moment could’ve just as well been prevented before lips met with an inevitable gag, but instead they use the same gag to stop the make out after it starts and before things “go for too long,” I guess. And the fact that it didn’t feel like it was supposed to be funny but rather a meaningful moment, makes it all the more uncomfortable. I hope I’m not sounding too obtuse with this critique. That scene was just totally bonkers for me.
Anyway, you can weigh the pros and cons. But I think it was worth the single view, and it definitely satisfied my excitement just with the premise alone. Being that it’s still available in theaters, and it does have some glaring flaws, I’m going to go ahead and designate this as matinee kind of movie, or wait to stream/rent/purchase digitally.
Recommendation: Maybe A Matinee