Superhero

REVIEW: The Old Guard

NETFLIX
Rated: R
Run Time: 125 minutes
Director: Gina Prince-Bythewood

The Old Guard is a superhero film directed by Gina Prince-Bythewood and written by Greg Rucka. It is adapted from Rucka’s comic book of the same name. The film stars Charlize Theron, KiKi Layne, Matthias Schoenaerts, Marwan Kenzari, Luca Marinelli, Harry Melling, and Chiwetel Ejiofor.

The Story & Direction

The Old Guard tells the story of a small group of vigilante warriors who all share a special ability, and attempt to use that ability to make the world a better and safer place. Our “superhero” team is led by the fearless Andy (Charlize Theron), along with three others who are extremely skilled in the art of combat. But what is the one superpower they all share? …Immortality. Almost every time that Andy and her team are shot, blown up, stabbed, fall from great heights, or are injured in any way, they are able to heal and recover—to the surprise of their attackers. This film was advertised as an over-the-top action film, which director Prince-Bythewood definitely delivers. The action is fast, fierce, and isn’t filled with excessive CGI aspects. The film is about the characters and their extended lifelong journey together.

The Characters

Aside from the obvious star aspect, Theron’s Andy is the one in charge because she has been alive the longest. We aren’t given her exact age, but she has been around “long enough” to have more life experience than her teammates. Her team is made up of partners Joe (Marwan Kenzari) and Nicky (Luca Marinelli) who met interestingly on opposite sides of the Crusades. They are joined by Booker (Matthias Schoenaerts) who found the others during the Napoleonic Wars. They all have died and come back multiple times and lost a lot of people along the way. They have even lost other immortal team members. You may ask, “How is that possible when they are immortal?” The answer is what makes this story very compelling as it adds a very vulnerable aspect to these “superheroes.” To say what it is would be entering spoiler territory; however, it does allow for someone to watch this intriguing film all the way through—even if the story is somewhat familiar. Theron is definitely the standout and continues to show that she is a chameleon in Hollywood. Her acting in The Old Guard shows her character’s age and wisdom. Her experience has shown that the world hasn’t changed very much and any good she has done may have been in vain.

Charlize Theron and other cast members in a scene of The Old Guard | NETFLIX.

The team finds a new immortal, Nile (KiKi Layne), whom they have to convince of their powers and her own. Nile develops a bond with Andy and their relationship is a good one to follow throughout the film. Layne, mostly known for her work in 2018’s If Beale Street Could Talk, provides a funny (at times) and heartfelt performance. However, Theron’s and Layne’s performances aren’t able to fully elevate the movie’s (somewhat) unoriginal story.

The Flaws

This film’s plot is not a unique one, even though it is decent enough to keep most viewers entertained. Each major plot point is fairly predictable and some of its attempted ethical aspects are not executed well. For example, Andy’s team sees themselves as an intervention force similar to that of DC Comics’ League of Shadows. They kill people when it is absolutely needed, but their newest recruit Nile does not approve of their methods. They are “saving” people by killing others. It’s contradictory but because this film’s biggest draw is its action sequences, this ethical dilemma seems glossed over; also there are some parts of the film that feel drawn out and could have been cut. In addition, the villain is fairly cliche, even though it tries to modernize a younger villain within a pharmaceutical company. Merrick is over-the-top at times but Melling does act his part well. It almost feels that this role is Dudley Dursley from the Harry Potter series who grew up and became successful. 

Cast members appear in a scene of The Old Guard | Netflix.

Overall

Even with these issues, The Old Guard does build a very interesting world, and the characters are intriguing enough to watch… With perhaps future sequels. Theron is an amazing star that continues to shine in this film, even if it is slightly unoriginal. You don’t need to rush to watch it, but it’s definitely worth watching if you have some free time for a decent action film. The Old Guard is streaming exclusively on Netflix.

Recommendation: STREAM IT

REVIEW: Justice League Dark: Apokolips War

Warner Home Video
Rated: R
Run Time: 90 minutes
Directors: Matt Peters & Christina Sotta

It’s extremely rare when you watch an animated movie and forget that you’re watching…an animated movie. It’s extremely rare that an animated movie has a production, story and overall quality that takes you out of a normal animated experience and gives you (to a certain extent) the feel of a live-action film. Thus was my experience while watching Justice League Dark: Apokolips War.

Apokolips War‘ is the fifteenth and final film in the current DC Animated Movie Universe (DCAMU), and the direct sequel to Justice League Dark (2017). It debuted on May 5, 2020 as a direct-to-video release by Warner Bros. Animation. The movie was co-directed by Matt Peters and Christina Sotta, and is loosely based on the graphic novel, “The Darkseid War” by Geoff Johns. ‘Apokolips War‘ tells the story of our DC heroes taking on their arch nemesis, Darkseid, on his home planet of Apokolips in an all-out final battle. Unlike many happy-go-lucky superhero movies of today, ‘Apokolips War‘ does not shy away from showing real world consequences to having these god-like beings duke it out, and the inevitable casualties and collateral damage that ensue.

Apokolips War‘ is going to have wide appeal to any DC fan. Whether you’re a fan of DC Comics, DC movies, or both, you’ll find a lot to like about this movie. Superhero team-ups are abundant; you’ll see most of your favorite DC characters ranging from the Justice League, to the Teen Titans and the Suicide Squad. With so many characters to juggle in one movie, it can be very challenging finding enough screen time to give to each character, while also not feeling overcrowded and bogged down with too much at once. ‘Apokolips War‘ does well in finding enough screen time for the DC superhero favorites to shine, while also allowing the less popular characters to have their own moments and appeal to their own subset of fans.

As first time directors in the DCAMU, Peters and Sotta do well in guiding the movie along a fairly complex storyline, and doing it in just under 90 minutes. Peters and Sotta deliver a dark, bloody, and sometimes shocking film with this animated feature. With the critical and audience reception being very successful, don’t at all be surprised when Peters and Sotta ultimately find themselves back in the director’s chair for future animated movies.

The Justice League listens intently to Superman’s plan on how to defeat Darkseid in a scene of Justice League Dark: Apokolips War | Warner Home Video.

As much as I enjoyed this movie, there are a couple of things that really bothered me on initial watch—something that Superman said that felt…well, just felt very “un-Superman”-like. Here is the quote:

“I want to make this perfectly clear—we are facing an existential threat to the planet. We can’t wait for Darkseid to make the first move. That could mean the end of us. We have to attack!”

Superman in Justice League Dark: Apokolips War (2020).

The notion that Superman is willing and ready to make an offensive attack on his enemy without his enemy attacking first seems to go against everything that Superman stands for. It’s a statement and sentiment that feels hopeless, and one based on fear. Even after Superman presents this plan to the Justice League and the Teen Titans, neither Batman nor Wonder Woman make any objections. The only voices of reason come from Flash, Cyborg and Lex Luthor—yes, THE Lex Luthor—who offered the only other alternative plan opposed to Superman’s. This plot point felt all too convenient, and just too sloppy for my liking. With an extra 10 minutes of movie time, a backstory sufficient enough could have helped to build up to this point.

Lastly (and not to give any major spoilers away) I’ll be very vague with this critique. Time travel has become an oft used plot convenience for many superhero movies today. I would like to see some writers let go of that crutch and really dig deep in giving audiences something more…permanent.

If you’re an animation fan; if you’re a DC fan; if you’re just a fan of superhero movies in general, I definitely think you should give Justice League Dark: Apokolips War a shot. You might find yourself wanting to go back and start at the beginning of the DCAMU. For those of you who are interested in where to start, the following is the DCAMU in order from beginning to end:

  1. Justice League: The Flashpoint Paradox (2013)
  2. Justice League: War (2014)
  3. Son of Batman (2014)
  4. Justice League: Throne of Atlantis (2015)
  5. Batman vs. Robin (2015)
  6. Batman: Bad Blood (2016)
  7. Justice League vs. Teen Titans (2016)
  8. Justice League Dark (2017)
  9. Teen Titans: The Judas Contract (2017)
  10. Suicide Squad: Hell to Pay (2018)
  11. The Death of Superman (2018)
  12. Reign of the Supermen (2019)
  13. Batman: Hush (2019)
  14. Wonder Woman: Bloodlines (2019)
  15. Justice League Dark: Apokolips War (2020)

Recommendation: STREAM IT

The Importance of Superheroes

Artwork from the DC Extended Universe | DC Comics & Warner Bros. Pictures

During this ongoing pandemic, yours truly was participating in the social media trend of a “30 Day Film Challenge” where participants refer to one film each day under a specific category, such as “the first film that you remember watching.” When I arrived on Day 10, the category was “Your Favorite Superhero Film“—and I hit a wall. Each day was pretty easy, or I did not take it as seriously. The Superhero film genre has hit an all-time high, with one (Avengers: Endgame) even setting the box office record for any movie ever made. We, as a film community, have started to think Superhero films matter more now than ever. I oddly thought this question was more serious than it probably needed to be.

This decision was difficult—there have been numerous films that could fall under this category, and I also started to think about what makes viewers enjoy themselves so much during these films. No matter your gender, sex, race, or ethnicity, there is a superhero film that you attach yourself to. Before early Thursday night screenings became a thing, many viewers would attend the midnight screenings dressed up for the newest movie in a connected superhero universe or as billionaire vigilantes. After leaving the theater, we spent months on end debating who or which is the best! “Who is the best Batman?” or the “MCU vs DCEU” debate. These conversations transcend the fandoms and even reach those who are not connected to social media and pop culture. Everyone has their favorite representation of a character or their favorite superhero—but why?

Superheroes are meant to inspire. They represent someone we are not, or someone that can do things that we can’t. They can provide an escape into a world where someone is there for us even when our protectors or our medical and social institutions have let us down. Anger and sadness are commonplace emotions felt throughout our society because of the regular injustices we see or even experience ourselves: unjust murders because of racial tensions and prejudices; governments’ inability or flat out refusal to act; betrayal by those we loved or considered friends; our world is full of struggles that seem to find you no matter your background or social status.

Christopher Reeve and Helen Slater pose as Superman and Supergirl respectively. | Warner Bros. Pictures

People want to believe in the existence of fictional figures like Superman or Supergirl—someone they could depend on to save them when the humans who are supposed to either can’t or won’t. We want a person like Steve Rogers (Captain America) to do what the rest of us aren’t courageous enough to do and take a stand when it’s not convenient to do so. We want someone that brave enough to say, “I can do this all day.” Especially during the COVID-19 pandemic, we are told that real life superheroes exist in our healthcare facilities, in our schools, and at other times, in the military and police. We are constantly shown and told how “not all superheroes wear capes.” But what happens when that’s not enough? Numerous times in history people who are in a position to help choose not to act. People who are recognized as “ordinary” heroes might let down those looking up to them and expecting them to be there or to be there for them. Superheroes serve a purpose in filling this void.

Clinical psychologist, Robin Rosenberg wrote, “[superhero stories help us in] finding meaning in loss and trauma, discovering our strengths and using them for a good purpose.” She stated that “superheroes undergo three types of life-altering experiences that we can relate to:”

  1. Trauma
  2. Destiny
  3. Choice
From Batman: Year One | Art by David Mazzucchelli

Trauma; such as the one that young Bruce Wayne goes through. He makes a promise to his murdered parents to fight against the crime in Gotham City. Rosenburg states that this is directly applicable to a lot of real life scenarios. Her past research has shown that many people experience growth “after a trauma and resolve to help others, even becoming social activists.”

Destiny; similar to that of Buffy the Vampire Slayer. She’s a normal teenager who discovers she’s the “Chosen One” to fight demons. She has to be the one who does not have a normal life and will take on this burden. Sometimes we are thrown into scenarios that we may not have predicted but we have to adapt and push through anyway.

A snippet from Amazing Fantasy #15, Vol. 1 | Marvel Comics 1962

Rosenberg’s last type of experience is similar to what Spider-Man goes through. When he initially gets his powers, he uses it for selfish reasons until his beloved Uncle Ben is killed. This type of experience is similar to the first, but instead of the trauma defining the hero, it’s the choice that matters. No matter whether ‘your’ Spider-Man is Peter Parker, Miles Morales, or Peter Porker, this choice exists. They could stay wrestling for money to pay rent; they could stay home and be a normal kid instead of saving the multiverse. The choice to do what is right versus what is easy is a choice that we, as humans, make every day. Rosenberg states that, “[superheroes] inspire us and provide models of coping with adversity, finding meaning in loss and trauma, discovering our strengths and using them for good purpose” (link). We want to attach ourselves to these characters; we want to see them in ourselves; we want to see those with fantastical abilities are still imperfect and relatable, and we are comforted by seeing them struggle with ordinary problems and still do the right thing in the end.

Recent research from Kyoto University in Japan shows that this “choice” can happen even before we learn how to speak. Their study had preverbal infants shown short animations in which one character purposely bumps into another. They then showed the infants a third character who could either prevent it from happening or not do anything at all. The infants consistently wanted the third character to help and prevent the pain. This study showed that even though they could not speak they recognized what heroism was and wanted it to happen.

“Six-month-old infants are still in an early developmental stage, and most will not yet be able to talk. Nevertheless they can already understand the power dynamics between these different characters, suggesting that recognizing heroism is perhaps an innate ability.”

David Bulter – “Preverbal infants affirm third-party interventions that protect victims from aggressors” (link to article)

This idea is then touched on again in the television show What Would You Do? People are shown how ordinary people behave when they are confronted with dilemmas that require them either to take action or to stand by and mind their own business. Each scenario has the viewer hoping for the regular people to step in and stop whatever the situation is. We all want to be that person who does what’s right even when it’s not easy. Data suggests that feelings are one of the stronger reasons why audience members connect to certain heroes (link). Personally, I attach myself to stories of people and characters who have gone through trauma and stand up to those who are wrong. As Batman, Daredevil and the X-Men deal with their respective issues, I cope with what I have gone through and deal with my own conflicts.

In the past, and still now today, society often sees comics and comic book movies as only enjoyed by children or “nerds.” With Black Panther becoming the highest-grossing solo superhero film of all time, Avengers: Endgame becoming the highest-grossing film of all time, and a multitude of films winning Academy Awards for both their performances and their technical aspects, this is clearly not true. More people enjoy these characters outside of children and “nerds” than ever before. There are films that are clearly made more for children than older crowds, but there are just as many that are for adults and have many more important themes. Superheroes have become the modern-day mythology that tackles issues, from the struggles of high school to mental illnesses. No matter which superhero you attach yourself to, or when you attach yourself to them, there is no denying the effect that they have on our lives.

Which superhero do you identify with the most? Or which superhero has inspired you the most? Let me know down in the comments section below!

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